Monday, August 3, 2009

Piecing the Puzzle Together: 1x01 - Pilot

The open eye. The Monster. Oceanic 815 breaking up. FATE. Counting to five.

These are just a few of many classic ideas that we have now become accustomed to in LOST that all appear in the very first groundbreaking episode of the series. Groundbreaking not only for being the most expensive pilot in television history (somewhere around $10 million), but also for what it would do to TV, and to all of us, over the next six years.

As is the point of doing this rewatch, which I am calling "Piecing the Puzzle Together," we have all seen the pilot and the following 100+ episodes of the show before, but even though we may be familiar with what happened, there is now a new way to watch them. After all that has happened since September 22, 2004, what can we see in these episodes now? What clues that we never even knew were clues back then will reveal themselves as we go back and watch from the beginning? That is what I aim to find out. This is not a recap or summary of each episode, but a breakdown of anything that might have some bearing on what we know of LOST now. Some episodes will be packed with interesting and important dialogue, visuals, props, characters, and moments, while others may not have much to offer. Regardless, I will present everything that I can find. And I hope that if you know of anything that I missed in an episode, you will let me know by commenting. I also hope to hear your questions and reactions to these "puzzle pieces," too!
So, let's begin with the alpha-episode: Pilot, Part 1.

The much-discussed and debated first shot of LOST is, of course, Jack's eye opening. His pupil dilates, and the bamboo shoots that surround him are reflected. Apparently, at some point the producers, Damon and Carlton, said that everything you need to know about the show is in this scene (or something to that effect), so fans have been picking it apart ever since. Two other things appear in this scene: there is a black tube to the right of Jack's head which is never addressed or explained, and Vincent appears.
I mention Vincent because of his introduction. He is introduced in a foreboding way; Jack hears a rustling and is afraid of what is coming towards him (and I think the music even gets a little "scary") much like we will see and hear when the Monster makes an appearance. But of course, it's only our favorite yellow lab. He runs up to Jack, they look at each other, and then Vincent runs off into the jungle.
The other reason I mention Vincent is because of something that happens with him before this scene, because this is not the actual first scene of LOST. When the producers released the "LOST Missing Pieces" series of "mobisodes" after Season 3, the final mobisode, "So It Begins," showed Christian Shephard telling Vincent to go wake up "my son" because "he has work to do." Vincent then runs off to Jack, which is when we see him in the first scene of Pilot. You can watch the mobisode, and all of the others, here. When we consider this, we know that Vincent must be more involved in the goings-on on the Island in some way. More on this later...

The scene when Jack walks through the wreckage and we see many of the main characters for the first time is still amazing to watch.

Claire, Rose, Hurley, and Charlie were all in immediate danger in some way right from the start. Rose was actually dead until Jack performs CPR on her. Claire was having contractions. Hurley and Claire are almost crushed by the falling plane wing. Charlie is just missed by flying wreckage after the plane's engine explodes.

Jack helps to save, or at least help improve the condition of, his half-sister and his half-nephew.

The first time we see Sawyer, he is smoking.

Jack tells Kate his now-famous surgery story as she stitches up a wound in his back. Interestingly, he says that "I had to make a choice," to let the fear in but only for five seconds, but we learn in the Season 5 finale that the five seconds was actually his father's idea. Jack doesn't tell the story to Kate that way, though. Ego? Refusing to give his father credit? Trying to impress the hot chick stitching him up?

Charlie has FATE written in tape across four of his fingers. We will see him write other words on his fingers over the next few episodes. This is the introduction of the idea of fate on the show, which has become one of the central themes of LOST.

There is an interesting series of scenes that are linked. Boone offers Shannon a chocolate bar, but she refuses ("I'll eat on the rescue boat!"). Then we see Hurley offer Claire some airline food, trying to make sure she is taken care of. Next, Michael checks that Walt is warm enough: they are family but they hardly know each other. Then we see Jin telling Sun that she cannot leave his sight and must follow him: they know each other well, but have grown apart as a family. He tells her, "Don't worry about the others, we need to stay together." Interesting use of "others" there, though I don't think it means anything in terms of the island Others, but the part about staying together: look at them now in Season 5, separated by space and time.



A shot that was talked about frequently early on was the one of the night sky above the beach. It appears that the stars in the sky are repeated, almost like a pattern, and even resemble the number 88 or two infinity symbols turned sideways. Was it a production error, or was this done purposefully? On a show like LOST, it would be a pretty major gaffe if it wasn't done on purpose, but back when maybe they didn't think fans would screencap and investigate every shot of the show, maybe it was a production shortcut that they hoped no one would ever notice.

Kate is the only character that we know of who was on Oceanic 815 that actually watched the plane break up. She says she saw it happen. Jack says he didn't see it.

Jack says that they need to find "the way we came in" to the Island to find the plane's cockpit in an effort to find the transceiver to communicate with or to pick up a signal from anyone nearby. In a way that he could never imagine at that moment, he was right about needing to find the way they came in to be rescued; they needed to find the exact bearing to leave the Island to return to the outside world.

Jack says that he took a couple of flying lessons, but says that "it wasn't for me."

Kate and Jack, after interacting quite a bit during the day of the crash, finally introduce themselves that night. Immediately after they do, they (and we) are introduced to the Monster for the first time. Jack and Kate hear the sound coming from the jungle.

When the Monster is heard for the first time, we see a close-up shot of Locke - is this meaningful? Then there is a shot of Walt. Then Boone and Shannon, Jack and Kate, and Sayid and Charlie.

The Monster seems to come from two directions, which is something I never noticed before, and I've seen this episode maybe ten times. As she listens to the strange sound, she looks one way, and then hears another loud crash from another direction, where trees are being taken down.

Everything that we see up to the introduction of the Monster happens before the first commercial break. That's incredible.

After the first commercial, we get the first flashback in LOST. It's on the plane, where Cindy the flight attendant gives Jack two extra mini-bottles of vodka, one of which he drinks. There is a constant white light coming through the windows from the outside, and when the plane starts to crash, a whirring sound that builds higher in pitch. There is no "flash" sound at this point.

When Kate tells Jack that she is going with him to find the cockpit, he tells her she'll need better shoes. She takes a pair off of a dead body, which is slightly similar to Jack taking his father's shoes and putting them on Locke's body.

We see the scene when Locke smiles at Kate with an orange peel in his mouth. She is not amused.

As Kate, Jack, and Charlie are walking across an open field on their way to the cockpit, Charlie reveals to Kate that he was in the band Drive Shaft, which is the first time we are introduced to his role of "rock star." This includes his high-pitched LOST debut of "You All Everybody." Kate knows the band and is excited about this revelation, but Jack doesn't know about the band and doesn't seem that interested, either. But as this is happening, we are shown Vincent sitting still and quiet in the jungle, watching them. Not barking for their attention, or running out to follow them, but watching them. This is where I'm getting a sense that Vincent really is a key part of what's happening on the show, or is at least a symbol. He's "blonde" and has light features...just like Jacob! Could it be? Is Vincent Jacob taking on the form of a yellow lab that was on the plane? Is this how Jacob knows about all of them? The producers have guaranteed that Vincent will make it to the final episode of LOST - because Jacob will be there?

The very next shot after Vincent is watching the three Losties walking to the cockpit is of Locke sitting on the beach and looking out at the ocean. And that's all. Why? What is this shot doing here? Is it tied to Vincent, who was also simply sitting and watching, somehow? Is is symbolic of Locke's future connection to Jacob?

It rains. Locke is on the beach, and as the other survivors scurry for cover, he sits with his arms out and and his face to the sky, as if he's being cleansed or baptised. Because he has regained the use of his legs, we can understand now why he might be in such a state of mind. As this is happening, the Monster is in the edge of the jungle close to the beach, taking down trees.

Kate, Jack, and Charlie reach the cockpit and climb in. Charlie heads directly to the bathroom to get his bag of heroin, which is miraculously still in there (later we see him flushing it, but I guess it doesn't make it down because the heavy turbulence starts at the same time) and is the reason why he tags along with Jack and Kate. They get the transceiver, but the pilot, who is still alive, is ripped out of the cockpit by the Monster. Was he taken because he didn't belong? After all, it was supposed to be Lapidus flying the plane. If, as some theories go, the Monster is somehow working for or with Jacob, and Jacob brought our Losties to the Island, is it getting rid of someone who shouldn't have been there? Is the Monster a course-correcter? Does it scan people to see if they belong in that "timeline" and kills them if they don't?

The scene when Kate counts to five in the banyan tree is still an excellent scene to watch. Nice job, Evangeline Lilly.

Once the coast is clear of the Monster, Charlie finds Kate, but they don't know where Jack is. In a line that is echoed by Jack himself to Kate three seasons later, she says, "We have to go back for him!"

Pilot, Part 1 ends when Jack, Kate, and Charlie see the bloodied body of the pilot in the highest branches of a tree.

Next up is Pilot, Part 2!

Saturday, July 11, 2009

More Fuel for My Theory?

If you read my theory two posts ago about next season (though you may not have because it was inspired by information I warned some might find spoilerish), I just heard something that might support it.
According to the LOST Podcast with Jay & Jack, they cited either EW.com or TVGuide.com as saying that Adewale Akinnuoye-Agbaje would be interested in returning to the show. Now, of course, he was killed off on the show, so our knee-jerk reaction is to say "no way" or maybe think it possible to have him appear in someone's flashback. But if my theory is right, that would be exactly what they want us to think. This news would be something they (the producers and actors) would float out there to reinforce the idea that it is impossible for it to happen. Remember, he was in the tail section of Oceanic 815, so if my theory is correct...
Unfortunately, I can't find an article at either website, or anywhere else for that matter, about "Triple A" saying this, but Jay & Jack aren't known for making things up either, so I'm going to trust them. What I did find out about him, though, is that his reason for wanting off the show was not as simple as not liking Hawaii. He lost both of his parents while he was on LOST, so it was probably more about being so far away from his home in London at such a difficult time.
If anyone finds the article, please let us know in the comments.

Odds n' Ends

Just a few things I've come across this morning...

Bolivian News Network Duped By LOST Screencaps
I can't decide if this is funny or just really unbelieveable.
I think I'm going with funny.

And I'm definitely going with funny for this one!
Desperately LOST in ABC House

Thanks to the Doc Arzt & Friends blog

Thursday, July 9, 2009

There's No Place Like Home - A Summer Update

Hey Losties,

Do your eyes deceive you? Can it be? Yes - an update!

Although I assured one of you (you know who you are, Ellen) that I would be posting something about three weeks ago, I haven't sat down to do so until now. Obviously. It's not that I've been all that busy during my summer vacation; I have gotten a lot done around the house that sorely needed to be done, and have been able to watch Yankee games uninterrupted for the most part. It's more that I wanted a little breathing room away from LOST for a while. I got to a point where every time I thought of it, my mind would go numb, so I figured that wasn't good. I'm slowly getting back into listening to podcasts and actually having something to say here at the blog, so I hope that I'll have more for you more frequently. As part of my "required summer reading," I also will be reading The Lost Chronicles by Mark Cotta Vaz, and I recently picked up a copy of Lost and Philosophy, edited by Sharon M. Kaye. I will let you know how they are.
Beyond all that, I have three things for you for now:

1. They have added an extra hour to the upcoming sixth and final season of the show, which makes the season 18 hours long. No word on what form those 18 hours will be in, but even if it's an hour of random boar hunting and jungle walking, I'll still be glued to my TV.

2. This next tidbit might be considered a spoiler - I saw it by accident but figured I'd pass it along for those who wanted to know - so if you don't want to see it, skip the small gray text below:

There are rumors swirling that cast members who have been killed off are going to be involved in the filming of Season 6. Which means that we will be seeing them again. Which means that a return to 2004 might indeed be possible. The rumors are getting shot down through official channels, but they keep coming back up again, so who knows. To be honest, I'm not sure they've even written anything for the season yet, but I'm sure they have a pretty good idea about what's going to happen and who needs to be involved, so I could see this being possible.
This would mean that the Jughead explosion might indeed have returned our Losties to Oceanic Flight 815 in 2004, and will land in L.A., which means that everything that happened since the crash never "happened." Many, many fans are completely against this idea, saying that it would be cheap and make the entire show up until now totally pointless. I disagree - I kind of like the idea because of the possibilities it holds. Will they remember what happened? Will the crash have been an alternate universe that they mistakenly crossed into, only to have them have some sort of memory of it and a desire to find the island? Will they return to the course their lives would've taken if the crash hadn't happened, but have the island somehow call to them? The reason I like the idea so much is just to see what the writers would do. At this point, I have no idea where the show will go. But remember - "whatever happened, happened," right? Think about this: how many actors left the show on supposed bad terms: Adewale Akinnuoye-Agbaje (Mr. Eko - he "didn't like Hawaii"), Cynthia Watros (Libby) and Michelle Rodriguez (Ana-Lucia - both were rumored to have been killed off because of real-life DUI's), Mira Furlan (Danielle - she wanted to leave because her family had recently left a place of political unrest in eastern Europe and she wanted to reunite with them), Rebecca Mader (Charlotte - she had a well-publicized spat with the writers over her character's age), Harold Perrineau (Michael - a big deal was made of his return in Season 4, only to kill him off after two episodes, which he was publicly upset about), and even Dominic Monaghan (Charlie - he claims that his character didn't need to be killed off)? Could the public, media-promoted controversy over their departures have the intention of making it look like their exit from the show was final, with no chance of a return, when in truth the producers have been setting us fans up for a "long con" of their own? Has all of the bad blood between the "jilted" actors and the producers been a conspiracy between all of them to shock us in Season 6 when we see them return? After all, this is LOST - would you put it past them to do something like this?


3. And finally, the news I hope that fans of this blog will be happy to hear: The Great LOST Series Rewatch is here! That's right - I am watching the series from the very beginning this summer and into the fall, and I will be posting things I've noticed from past episodes that may have new meaning after crazy Season 5 has now ended. I won't be recapping anything, but will simply go episode-by-episode, taking notes on what might jump out as significant with the hindsight of more recent seasons. This is actually something that several bloggers and podcasters have already begun, and I plan to read and listen to what they find as well. I may even begin tonight, but I also want to catch up on some movies, so I have no set schedule; it may be six episodes one week, and one the next, but there are a lot to get through, so I'm going to keep up with it as often as I can. I'm really excited about it! And if anyone would like to rewatch along with me and let me know what they noticed, please do - I'd love to hear what you found. Keep checking back weekly!

Until then, Good Luck and Namaste,

Thursday, May 14, 2009

"What's Done Is Done" - 5x16 & 5x17: The Incident

You've GOT to be kidding me.

A white flash? That's all we get? That's what we're supposed to be hanging off a cliff with for 9 months?

Do I laugh or do I cry? Do I love it for completely leaving us hanging and making Season 6 a total mystery? Or do I hate it for the same reason? Somebody, anybody - please help me with this!

I think this will be one that I'll need some time to make peace with. Deep down, I know I love that they did this to us, just for the discussions that are going to go on about what the aftermath of the explosion will be alone. I loved everything else in the episode - the pace, the flashbacks, Jacob's involvement (more on that in a moment), the statue, and on and on - but the ending had me literally cursing at my TV. It was the exact same cliffhanger as the end of Season 1; they finally blew open the hatch, looked down into it, and saw........cut to black and "LOST." Tonight? The Jughead explodes, the screen goes white, and......"LOST." It is worth noting that this is the first time that the ending title screen was black letters on a white background. It could simply be for continuity with the white flash of the explosion. Or it could be a signal of what's to come next season. The idea of the duality of black and white has been a part of the show from the very first episode, as has the idea of mirror images (especially this season, with the Ajira 316ers acting as proxies for the Oceanic 815ers), so maybe we're going to see something opposite of what we've been seeing up until now. The explosion of the Swan has been described as a sort of "reset button," so I can only imagine what that might mean. I noticed another possible tiny clue to this which I will mention at the end of this post...

For the record, let me ask you: have you ever literally been on the edge of your seat? Because I was tonight for the entire second hour.

My heart is broken. Juliet joins Charlie as the most heroic characters in LOST history. I teared up when she fell down the shaft, and I teared up even more when she was pounding on the guts of the Jughead, screaming, "Work, you son of a bitch!" And I may have actually stopped breathing during that scene. I honestly feel sadness that she is dead. Maybe we'll see her again, though.

And Sawyer. Oh, Sawyer. That was the cry of utter devastation. After all he's been through, especially as we were reminded in his flashback. He's lost everyone he's ever cared about.

Okay, let's get down to a huge element of this episode: Jacob.
I was blown away by how they introduced him, and continue to be even more blown away about what they did with him. He was there at a pivotal moment in the lives of Jack, Kate, Sawyer, Hurley, Locke, Sun, and Jin (am I forgetting anyone?). The scene when he was on a park bench, reading that Flanery O'Connor (I think) book and just waiting for Locke to be thrown out the window by his father was incredible. Did you catch how Locke came to (...or came back to life...?) when Jacob touched his shoulder? If you watched carefully, and after he playfully poked Kate on the nose I was looking out for this, he touched all of them. The only one I didn't really get was when he was with Kate as a young, criminal-minded girl. Maybe her promise to never steal anything again was a clue to her future (she robbed a bank back in Season 1), but was this a pivotal moment? Anyways, this might all mean that he really did call all of them to the Island. But do we have any idea why? What's his motivation?
An even bigger question I have is why he let Ben stab him? Were fans who thought he wanted Locke's help to die correct? Is he dead? Is it even possible for him to die? Will he be a phoenix that will quite literally rise from the ashes of the fire that Locke (or whoever he is) threw him in? That would be yet another tie to ancient Egyptian beliefs.

And yeah, about Locke: there are two Lockes? Whaaaaa? I honestly have no idea what that's about, other than some time travel issue, or how it's possible that Locke........ohhhhh, wait a minute!!! How about this? Because the bomb did go off, Jack never went to see Locke in the casket, and never saw Ben, who never told him that he had to bring John back to the Island. But before the bomb exploded, he did bring Locke to the Island. Does that make sense? Probably not. Why would Locke have died, then? Why would Ilana bring his body back? I don't know. Forget it.
Remember this, though - the man in the opening scene, who asked Jacob, "Do you know how much I want to kill you" - could Locke really be him in reincarnated form? When Locke finally meets Jacob, Jacob says, "So, you found the loophole, huh?" Is being resurrected the loophole?
My mind is blown. (By the way, I took a peek at some of the message boards after the episode, and there are some amazing theories going around about just that first scene with Jacob and the other man on the beach.)

I didn't take any notes as I watched this one, and I'm sure I will be writing more extensively on this episode sometime soon, after I do a little research (which I'm going to start after I post this!), but those are my initial reactions. To be honest, I could go on forever about this episode. It was incredible, wasn't it?

I will leave you with three things - for now.

First, this one may go down as one of the best episodes of LOST of all time. It was so deep, so tragic, so dark, it answered some major questions, and opened up a whole new question: what happens next?

Second, since I know you're dying to find out, the answer to the question of what lies in the shadow of the statue was, courtesy of someone from TheFuselage.com, "Ille qui nos omnes servabit," which is Latin for "he who will protect us." To put it another way: Jacob.

And lastly, after the reversed black and white LOST end title and during the credits, they obviously couldn't give us a preview of Season 6 since they haven't written or filmed any of it yet, but they did give us one brief flash at the very end. It was of an eye opening, and it looked exactly like the opening shot of the Pilot episode of the show - the person the eye belonged to seemed to be lying on the jungle floor - except that it didn't look like Jack's eye. And I only saw it once, but I'm almost positive it was Kate's...

As I mentioned in my post last night, keep checking back here during the hiatus, because I will be posting periodically, including a breakdown of tonight's finale. I hope you enjoyed it!

So for now, Good Luck, and Namaste : )

Wednesday, May 13, 2009

"Time IS The Essence" - Season 5 Reflections

Hey Losties!

On the eve of the finale of Season 5, I thought I'd share some thoughts about this past season, and look ahead to the final season of LOST. (If I'm already starting to get depressed about next year, what am I going to do when the show is actually over?)

This was easily the craziest season of LOST, and I loved every insane second of it. Even though it got heavily into the sci-fi and mythology elements of the show, it also at times felt like a return to classic, Season 1 LOST. Some of the flashbacks, especially the more recent ones, had a definite old school, character-focused LOST feel to them.

The season began by answering some questions that we were left with at the end of Season 4. Where did the island go? Well, the question was more like when did the island go. How did Locke get in the casket? What happened to the Losties off the island? Well, they basically ended up working their way back to the island.

The biggest revelation of Season 5 was the role of time travel in the show. We spent the beginning of the season "flashing" through time with several of the characters. We visited "current-day" 2007, 1954, an undefined ancient time where we saw the complete four-toed statue for the briefest of moments, and of course, 1974 and 1977, where our time-traveling Losties finally settled in with the Dharma Initiative.

Much of the season was devoted to telling us much more about the Dharma Initiative, and how our Losties were carefully (at least for a while) brought into the group in 1974 and 1977. We saw the Swan and the Orchid being built, apparently simultaneously. We met new characters like Phil, Horace, Amy, and the legendary Radzinsky...and now we wish we hadn't, I suspect. We also met Dr. Pierre Chang "in person" for the first time, who it turns out is Miles's father. We also met a man by the name of Jim LaFleur, who of course is really James Ford, who is otherwise known to us as Sawyer. Sawyer became a mastermind of ingratiating himself into the DI, even taking the leadership role of head of security, before things came crashing down due to one bad decision to act and not think first. And while Sawyer was in control, Jack was anything but. For the first time on the show, he wasn't trying to fix things, or lead, or force the issue; he was content to just be. After all he saw this season, especially with Locke, he finally decided to let things happen without his involvement. He was finally convinced of what Locke had been telling him for four seasons: let the Island handle things.

Speaking of Locke, there was quite a story going on off the island, too. We mainly saw Locke attempting to get the Oceanic 6 back to the island, which seemed like such an impossible task, but he did it. Some of them may have ended up in the 1970s, but he did it. And just as Richard told him (because Locke told Richard, because Richard told Locke, because Locke told Richard...), he had to die to do it. (Did he really, though? Why exactly did he have to die? Maybe we haven't seen the reason yet, but his death really had nothing to do with convincing the O6 to return, except for maybe Jack, who it seems is going to have great importance going into tomorrow night's finale.) Of course, Locke's death at the hands of Ben, and his subsequent resurrection upon returning to the Island was a huge development in the story this season. Just more proof that he really seems to be special to the Island.

We were introduced to "Jughead" - a hydrogen bomb that was left by the U.S. military in 1954 and was then placed in the tunnels under what is now the Dharma barracks. Obviously, we know now the importance of the Jughead in tomorrow's finale. It is figuratively and literally a bomb waiting to explode.

Another major player in Season 5 was Eloise Hawking. We saw her as a gun-toting 17-year old Other in 1954, a young mother of - SHOCKER! - Daniel Faraday, and an older, modern-day Mrs. Hawking. She is noteable for
1) helping the O6, and especially Jack, go back to 1977 by getting on Ajira Flight 316,
2) maintaining the first off-island Dharma station, the Lamp Post, and
3) helping her son invent a method of time travel just so he could go to the past to be killed by...her. All because it was supposed to happen this way.

And when we mention Ellie, we must also mention Charles Widmore, who we saw much more of this season. He is an arrogant teenager in 1954, an arrogant young man with a love of horseback riding, an arrogant older man who gets kicked off the Island after the Purge (I think?), and an arrogant modern-day old man who almost loses his daughter Penelope to Ben's vengence.

Aboard Ajira 316, we are introduced to two new characters: Cesar and Ilana. While Cesar didn't last (thanks, Ben), Ilana and another minor character, Bram, are certainly up to something. Ilana took Sayid into custody supposedly to bring him to Guam to face retribution for killing Peter Avellino, but we now suspect that it was just a ploy to get to the Island. She and Bram have a large metal crate that they have yet to open. Maybe tomorrow night... Many fans, including myself, are convinced that they are working for neither Ben nor Widmore, but are in fact the reconstituted Dharma Initiative.

Oh yes, Sayid. Yeah, uh, he tried to kill a kid.

In an effort to end the misery in his life that was Benjamin Linus, Sayid decided that if he killed Ben as a boy, he wouldn't grow up to become the monster that he is as an adult, and it would change everything. This, coupled with Jack's refusal to help save a dying boy Ben for the same reasons as Sayid had for shooting him, actually ended up making Ben who he is. His choice to let Ben die of his gunshot wound at the hands of Sayid forced Kate and Sawyer to bring Ben to the Others, where he was healed, but at the cost of his "innocence." Whatever that means...

To be healed, Ben was taken by Richard into an outer wall of a structure surrounding the Temple, and this place was one of several hieroglyphic-covered locations that we were shown this season. The others were the tunnels, the underground vent in the tunnels which Smokey emerges from, and the strange drainage pool that lies behind the secret door in the closet in Ben's house that he used to summon Smokey. And of course, we were also given a glimpse (finally!) of the pre-destruction four-toed statue, which fan-led internet research suspected was one of several possible Egyptian gods, especially because of the ankhs it is holding in each hand. We also saw that same ancient symbol on a necklace around Paul's neck after he was killed for having a picnic with Amy in Others' territory.

Speaking of dead people, we lost Cesar (we hardly knew ye) and Charlotte this season. Of course, Charlotte was far more noteable because we discovered that she was a child of Dharma, and because of her revelation that Dan had warned her as a child to leave the Island and never return. She came anyway. You could also say that Locke and Ben were both killed, but both managed to make a comeback in pretty dramatic ways.

Well, ladies and gentlemen, before we revel in the finale tomorrow night, I wanted to let you know that this blog will not end with the finale. Please keep checking the blog in the "off season." I will still be posting occasionally, whenever something interesting shows up on the internet, or if they have an online game this summer. I am also going to be doing "The Great LOST Rewatch" this summer; I will be watching every episode from the beginning, from Season 1 all the way through to tomorrow night's Season 5 finale, and I plan to blog about it. I am also toying with the idea of a podcast, but we'll see about that.

I also wanted to try to put things in perspective for a moment. As I mentioned at the start of this post, I am already saddened to think that we are this much closer to the end of this incredible television show. The writers and producers of LOST have managed to get me, a non-TV watcher, completely and utterly addicted to a television show. LOST is like no other, and there could never be another show like it. Keep this in mind: the next few months after tomorrow night will be long and difficult to sit through without new episodes, but this is the last-ever hiatus for LOST. The next break after a season of LOST will be the longest, because it will be forever. From now until then, I'm going to have to learn to just enjoy the last season, and not constantly pay attention to the countdown to the end.
I don't know if any of you are quite as taken with this show as I am. If you are, then you get what I'm talking about. Most people who are fans of the show will go on to other shows simply because there will be other shows on TV and they kind of look a little interesting. For me, though, this is THE SHOW; it don't get no better than this. Not since the original Twilight Zone, and the first season of Twin Peaks, have I enjoyed a TV show this much and this deeply, but those other shows pale in comparison to LOST. As I posted before the start of Season 5, this feels like a show that was created just for me. It's everything I could ever want to watch.
And I can't believe that at this time next year, it will all be over.

So, I hope you enjoy "The Incident," and I will leave you with these questions:

Will the bomb go off?

Will it not go off?

Is the bomb a red herring, and something completely out of left field will take place instead?

If it does go off, will they really erase the last three years? Will the show's creators really show them landing in LA in 2004, having never met each other, and walk off into the sunset...with an entire season left? I have to admit, I kind of like this idea - they could literally do anything in Season 6!

But what would they be going back to? Kate? Prison. Jack? The aftermath of his father's death and a divorce. Hurley? His self-described cursed money, and a possible return to Santa Rosa. Sayid? A search for Nadia. Sawyer? A likely fruitless search for "Tom Sawyer," the con man who caused his parents' death, and Locke's father. Sun? An unhappy marriage to a desperate, raging man. Jin? A dangerous, violent job pursued in an effort to please a father-in-law that will never be pleased. Desmond and Penny would never reunite. Charlie would still be strung out on heroin. Claire would give Aaron up for adoption and might regret it for the rest of her life. Michael would continue to struggle to connect with his son Walt and to make ends meet, and Walt? I'm really not sure. Maybe his powers would never be fully realized.
And then there's Locke. Locke would never find his purpose. He would remain in a wheelchair and work at a box company for the rest of his life. That may be the worst fate of all, especially for a man like Locke: to never realize your destiny.

Good Luck everyone, and Namaste!

Thursday, May 7, 2009

"The Island Told Me" - 5x15: Follow The Leader

I've had my big, fat drink. I watched the episode. I'm ready to share my reaction.
So here's my reaction:
What the f***?!?!

Locke wants to kill Jacob?
Sawyer, Juliet, and Kate left the island?
Dan is really, truly dead?
Jughead has been sitting under the Dharma Barracks all this time?
Kate vs. Jack?

I really loved this one, though there's something about it...I just can't get a handle on what exactly the story was. Locke finally arrives at the Others' camp to tell Richard to tell time-traveling Locke that he needs to die to get everyone to come back to the island, because, well, that's what happened to get him to where he is now. And then he gathers all of the Others up on a little jaunt to Jacob's...where Locke is planning to kill him.
Jack and Kate are reeling from Daniel's death, and continue the argument they began last episode, even after the Others discover them hiding in the woods and Eloise puts them in her tent; Kate believes that whatever happened, happened, and Jack is a Faraday devotee and believes that they can erase the past three years if they just follow Dan's notebook. Jack finally admits that maybe he was wrong about Locke after Kate points out how he is full of crazy and very John-sounding. Kate questions why Jack wants to forget their last three years together, with the stress on together, but Jack tells her that there's been enough bad times to outweigh the good. Kate is none too pleased about his take on things, and proceeds to indignantly stare at him for a few scenes. Eloise asks them to tell the truth about what Dan told her - are they really from the future? Jack (if I remember correctly) spills it, and they go to a pool in the jungle with Ellie, Richard, and some unfortunate other Others. Kate refuses to go for a swim in the pool and starts to walk away to the consternation of the Others there, but before they can shoot her for walking away with their Others secrets, a shot rings out. For a split-second, we genuinely believe that Kate is shot, but it's just random Sayid shooting the two unimportant Others to save Kate. Kate does what she does best and runs away, while Jack, Sayid, Ellie, and Richard dive down into the pool, under which is a tunnel to....the Tunnels. In the Tunnels, which it turns out run directly under the Barracks and appear to be the area that Ben fell into when he encountered Smokey, Ellie uncovers the Jughead, which has been sitting there since 1954.
Radzinsky is smacking James around, trying to get him to say where Kate and the Hostiles have gone. He ain't talking. When Horace tries to get Radzinsky to ease up, he repeatedly says that he is now in charge...and Horace says nothing in response. Juliet begs Radzinsky to stop, which gives Phil an idea about how to get Sawyer to talk: he punches Juliet in the face. Sawyer gets his pissed face on. Marvin Candle, after finding Hurley and Miles in the jungle, where they admit to him that they are a) from the future, b) that Miles is indeed his son, and c) that Dan was right about needing to evacuate the island (this was a claaaaassic Hurley scene!), busts in on the fun to tell them that the island must be evacuated. Sawyer tells him that they need to get the women and children on the sub, and if he and Juliet can have a spot on it, too, he will tell them what they want to know. Radzinsky hands him a Dharma notebook and tells him to draw a map to the Others.
Juliet and James are led in handcuffs to the sub, where Miles and Hurley are watching all of the Dharma women and children getting on board, including young Miles and his mother. Miles sees that his father didn't really "leave" them at all; demanding that they leave was to save them. As Sawyer gets in behind Juliet, he stops, looks out at the island, mutters "Good riddance," and climbs down into the sub. He and Juliet are sharing an "I love you" moment when who should show up? Of course - everyone's favorite buzzkill this season - Kate! The sub takes off for Ann Arbor.
I think that's about it. It's not that there wasn't a story, but it just covered a very brief period. Though in that brief period, we were set up well for next week's big two-hour finale.
So for this episode, this is what I'm thinking:

Kate is LAME. What's her deal now? The only reason she doesn't want Jack to follow The Dan Plan and set off the Jughead is not because scores of people will be killed, but because it will erase her time with Jack, a man who she basically abandoned off the island and who really wants nothing to do with her. I'm sure she is at least one of the reasons why he wants to land in LA in 2004. When she gets into the sub with Juliet and Sawyer was just the icing on the lame cake.

I. Want. To. Kill. Radzinsky. With. My. Bare. Hands. Repeatedly, if possible. In fact, I'd kill him, carry his body to the Temple to resurrect him, and then kill him again.

Same goes for Phil. I'm content to have Sawyer and Juliet go to the "real world"...except that Sawyer won't be able to inflict lots and lots of pain on Phil before he kills him.

So Dan really is dead. They did the closing-of-the-eyes thing, so that's that. I can only hope he appears in flashbacks somehow. Otherwise, we've lost a really great character, played by a really great actor.

Ellie is pregnant with Dan when she kills him! If you listen carefully, when Jack and Kate are discovered spying on the Others and Ellie agrees to take them to the pool, Charles talks to her and mentions something about her "condition" while either he or she has a hand on her stomach.

I had no idea how Locke knew when his time-traveling self was going to appear by the drug plane...until he said, "the island told me." I get it, but I don't. Is the Island constantly talking to him? Did it "download" everything he needed to know all at once at some point? When? Or has Locke traveled more than we have been shown? Or has he known much more than he's let on all this time?

Tunnels! Underwater! Under the Barracks! This has been loooooong-theorized by fans - is this where the whispers are coming from? We've also seen this ancient underwater connection with the Smoke Monster - remember that to summon it, Ben needed to pull the plug on some sort of water pool.

Sayid returns from just aimlessly running around the jungle apparently. I have a feeling that he may not have much longer on the show...

How big IS that sub, anyway? I guess there probably aren't that many women and children in Dharma.

Why is every commercial during LOST about time travel? Tonight we had the consistently-annoying Mac commercials, specifically the one with a time machine, and a groovy Pepsi "Throwback" commercial.

And finally, my biggest "What the eff?" is why Locke is leading the Others to kill Jacob. Where did this come from? Why does he want to kill him (or it, or whatever Jacob is)? I have two theories on this, and neither one is all that good. One is that John wants to take total control of the Island because he feels that he is the chosen one. He feels that the Island has been calling him since childhood, and this is his time. The second theory, which I like a little better, is that Locke is being directed by the Island itself to kill Jacob. Maybe Jacob has been a bad element on the Island, and it needs Locke to get rid of Jacob. That's why it went as far as to raise him from the dead, something that even Ben was shocked by.

So there you have it, "Follow The Leader," the last episode before the finale. I've been thinking alot about how much I'm going to miss LOST at this time next year...but I'll save that for another time. For now, we are set up for next week. What will they do with the Jughead? Will Dan's plan work? If it does, will this season end with Oceanic 815 landing in LA on September 22, 2004, and our Losties getting off with no knowledge of each other? What will that mean for Season 6? Will Sawyer, Juliet, and Kate arrive in Ann Arbor, and will we see Dharma Headquarters? What will Marvin Candle, Hurley, Miles do? Will we finally see Jacob? So many things to think about.

That's all for now. I hope you all enjoyed the episode, and as always, I'd love to hear your comments here. Until next time, Good Luck, and Namaste!

Edit: Oh, and I forgot - Richard says in the opening scene that he saw all of the Dharma Losties die? As the kids like to say, WTF?!?!

Wednesday, April 29, 2009

"You Knew This Was Going To Happen" - 5x14: The Variable

Okay, I think I get it: 2007 Eloise knew that she was going to kill her son in 1977, and since she is a firm believer in "whatever happened, happened," she had to send him to the island in 2007, so that he could end up going back to 1977 when a clueless past version of herself kills him.

Right?

There's no way Faraday is dead. They just...can't. He's too awesome. But if they do, they have to eventually show his time in Ann Arbor - I'm dying to see that. But let's remember that Daniel is in the perfect place for those with bullets in their chests... Will Richard carry him into the Temple as he did with Ben?

I was surprised to see two very disparate scenes - Daniel watching the discovery of the fake Oceanic 815 in the Sunda trench on TV and not knowing why it is making him upset (why was it? Maybe I missed it, but he didn't have any knowledge of the truth at that point, did he?), and his literal bumping into Dr. Chang in the Orchid tunnel - tied into the one episode tonight. It made sense, but I wasn't expecting to see them connected.

Sawyer and Juliet are in BIG trouble. I really don't know what Sawyer was thinking. Maybe the point is that he wasn't thinking, he was reacting. Hmmm...why does that sound familiar...? And Juliet is throwing in the towel. Once the word "Freckles" was mentioned, it was all over. Well, maybe not all over, but her confidence in just about everything has taken a big hit.

They confirmed what we all pretty much knew: Daniel is the child of Ellie and Charles. And we saw him again in a kinder, gentler light when he visited Daniel in his "home." 

Does Radzinsky make you want to reach through your television and choke him to death, too?

So, is Daniel the variable? Well, he himself can't be - his apparent death at the hands of his mother was fated. Eloise knew it was going to happen because she lived it in 1977. But are his words the variable? Will they resonate with Jack and Kate? Will they lead them to make a decision, even more than they already have, that will change things? But I don't think that's what the variable is. Think about it: what was the frame of this episode? Who's story was being told, almost as bookends, in this episode? While Daniel's story took center stage, there was someone else who we also focused on...

Desmond.

Daniel himself told Des, and us, that he was "special," that "the rules don't apply to him." So now we have to figure out how we get from Desmond in the hospital to Desmond in a position to change things - and apparently by detonating Jughead, which will destroy the electromagnetic energy that will be released 4 hours after Daniel's shooting, which will cause the Swan hatch to be built and the button to be pressed, which will lead to Desmond not pushing the button in 2004, which will lead to Oceanic 815 crashing. And so on, and so on.

"For the first time in a long time, I have no idea what's going to happen." A very telling quote. A quote that tells us LOST fans that all bets are off, I think. While Daniel has been espousing his mother's mantra of whatever happened, happened, he seems to have figured out the fallacy of this belief: free will.
Allow me take a stab at this... Jack, Kate, and the other Losties are themselves the variables because they actually know what will happen. Most of us don't - we are locked into fate. But maybe they aren't locked into fate because they know how things turned out. But "turned" is past tense. They are in the past, but it is present for them. So they can act in the present with the knowledge of the past, and this will guide their decisions.
Kate mentions to Jack that if they what Daniel says and destroy the Swan, everything that has happened to them will be erased. If free will trumps fate for our Losties, then she may be exactly right. So now the question becomes, is that something they want? Do they want to land in L.A. in 2004, never meeting, never going to the island, never becoming the people they are now? Here's where all of the relationship stories, the character stories, come into play - will they want to erase this entire chapter in their lives, lose all of the connections and relationships they have made with each other, and delete the developments they have made as people?
This could be where the beauty of LOST has been leading all along. If you aren't into the action, adventure, and science-fiction of the show, maybe you enjoy the character stories. Maybe now we're at a vital crossing point between these two threads: the character development that they have been experiencing for 4+ seasons will cause them to make a decision that will lead to consequences concerning time travel, the island, and every other mystery we've seen.

Alright, I'm posting from my parents' house this evening, and I need to get home, so I will leave it at that. A GREAT episode tonight! As I have a feeling these upcoming last two episodes of the season will be.

Until next time, Good Luck and Namaste!

Thursday, April 16, 2009

Let's Face It, Ewoks Suck - 5x13: "Some Like It Hoth"

If it's not one thing...
I finally had a chance, for the first time in several weeks, to post my initial reaction to last night's episode, "Some Like It Hoth," right after it was over - but no, my internet service was out until 6am this morning. So anyways, here it is now. Enjoy!

Oh man, oh man, oh man - I LOVED this episode!

Now, maybe it's true that I say that after every episode of LOST, but this one really stood out. I literally laughed, literally clapped, literally cheered, literally yelled, "Whaaaaa???" and almost literally cried. What more could you ask for? There was mythology, an excellent character focus (and on a character I've been dying to know about for so long now, which made it even better), mystery, comedy, emotional moments... In some ways this was all over the place (for me, at least, as you can see) - I remember remarking at one point, "Wow, that's dark," and then laughed out loud in the very next scene. I can't say that happens very often. Overall, in its own LOST way, I'd say this was a funny episode, but obviously it had many points of levity as well.
Here are my initial thoughts on a really fun episode, in no particular order.

Hurley writing The Empire Strikes Back "with a few changes." This is the epitome of Hurley. I thought at first that he was just writing some Star Wars fan fiction, but he was seriously writing his own version of Episode V to send to George Lucas in 1977 so they could avoid Ewoks. He was writing a version where Luke and his father Anakin/Darth Vader talk things out instead of fighting. Just classic. And before Hurley mentions that he's changing the story, I sincerely thought that the writers might actually, by the end of LOST, have Hurley end up writing Empire, that he would actually successfully get it to George Lucas and have him make it. How fun would that be? But I love the way the writers took it instead - much more entertaining and meaningful. A perfect fit for the father-son theme of Miles's back (and current) story.
By the way, if you're not a Star Wars fan, the title of tonight's episode is a Star Wars reference. Hoth is the setting for much of The Empire Strikes Back, the second of the original Star Wars trilogy of films. It may also be a reference to the classic Marilyn Monroe/Jack Lemmon/Tony Curtis comedy "Some Like It Hot," which is easily one of the best movies ever made, but I didn't see any cross-dressing in tonight's episode, so I'm going to go out on a limb and say that's not what they were going for with the title.

Faraday returns as a scientist from Ann Arbor - which means he's deep in the DI; he was working at their home base! The Dharma Initiative is based in Ann Arbor, Michigan, at the University of Michigan, so there's a good chance that he went there and worked with the DeGroots themselves. Which must mean that Faraday had at least a hand in developing the station. Which means that we saw him in the Orchid in the Season 5 premiere sometime before 1977. Just something else I can't wait to see (and I hope they show!).

What's with the lame story Juliet and Kate told Roger Linus about where Ben is - someone just came in when they weren't watching and took him? And then Juliet says something to Kate like, "Okay, here we go..."? Is this some sort of plot? Is Juliet trying to start something? But what? I thought maybe she wants him to think the Hostiles snuck in and took him, which would explain why he is with them now, but wouldn't there have been a "14J" code announced? I can't quite figure that scene out.

Miles's story is so touching to me. Maybe it was the relaxing beverage I'm having, but I got genuinely choked up when he was watching his father read to his baby self. (A book about polar bears no less. Polar bears made a comeback this episode: the book Dr. Chang was reading to baby Miles, and the Dr.'s threat to make Hurley shovel polar bear poop as a punishment for talking about the dead body exchange.) But for him to think of his father as having basically abandoned him and his mother for his entire life, and then to see with his own eyes that it wasn't true at all - wow. And great job by Ken Leung - did you see his body language as he walked over to take a peek inside his parents' house? He was walking like a nervous child. It was subtle but effective.
There is something else that is interesting about the timing of all of this, though. If you saw the video that was shown at last summer's Comic-Con, where Pierre Chang reveals his real name and warns whoever the video is meant for that they need to reconstitute the Dharma Initiative to try to stop the Purge, a baby is crying in the background, and Chang tells someone to get the baby out of the room. We can safely assume that the baby is indeed Miles, which means that Chang made the video not too long after 1977. We also know that the Swan orientation video was copyrighted 1980 or 1981, so that places the Purge as happening between 1977 and 1980/81. It's coming...
The scene with Miles watching his father read to him as a baby also shows that being in the same place as your past or future self will NOT rip a hole in the space-time continuum, Back to the Future-style. This should put to rest a lot of speculation that has been going on all season among LOST fans.

What was with the dead body being brought to the Orchid, anyway?

What in the world is Sawyer going to do with a knocked out, tied up Phil? Blame it on the Hostiles? But how satisfying was it to see Phil get punched in the face? He's had it coming for at least three episodes now...

Ancient Egyptian, Middle Egyptian and another category: the three things that were written on the Dharma schoolhouse chalkboard before Jack erased it. There were also hieroglyphics.

The Swan being built! The Orchid being built! The guy who had his cavity shoot through his brain must have been from the Swan and its special electromagnetic properties. But I thought for sure that the Swan was built before the Orchid. Obviously we know now that they were built simultaneously now. Does that mean that they are connected? Is this a hint about the Swan's original purpose? Is this a clue about what's behind the hastily-made concrete wall in the Swan? I never cease to be fascinated by the stations and the DI.

"What lies in the shadow of the statue?"
This is one of those "Riddle of the Sphinx" puzzles, I know it. I teach the Sphinx riddle to my 6th graders in our mythology unit, and it goes something like this: What has four legs in the morning, two legs at noon, and three legs at night? (I will only answer people who comment on the blog asking for the answer.) This smacks of a question with a simple, "why didn't I think of that?" answer. Well, my initial guess would be "darkness." But they're never that easy. How about "nothing"? Nothing would grow in the shadow without sunlight. Hmm...something that lies, like lying on the ground, or telling lies? Anything that wants to stay cool would lie in the shadow. Who or what would tell lies in a shadow? Maybe the statue is a symbol for something else, much like the parts of the Sphinx riddle are symbolic (there's a hint for you).
Maybe it's much more literal - what is in the statue's shadow on the island? Is there another hatch door on the ground?
Or maybe it's all meaningless. It's just some bizarre code that "someone" came up with that has no real, good answer. It's just meant to see if you're in on...whatever they're all in on.

Alright, enough already - who are these "what lies in the shadow of the statue" van people? Who are Ilana and Brahm working for? I still maintain (you'll read this in my recaps for the last few episodes, which I am just about finished with) that they are the new DI. They are the reconstituted Dharma. The popular choice is that they are working for Widmore, which I get, but even tonight, Brahm said that Widmore was the "wrong team." And when Miles asks him what team they are on, Brahm says, "the team that is going to win." What? Stop speaking in riddles, you tool! Are they a new generation of Ben people? Are they aligned with one of our Losties, who is sending them from the future to go back and change what we're seeing in the present? (Did that just make sense?) I'm wondering if that might be the next step for the writers: to bring the future into the story.
Whaddya think?

That's what stuck with me tonight. What did you all think?

Natural Born Killer - 5x10: "He's Our You"

Since I’m writing this after watching a few episodes after “He’s Our You,” some of the questions or theories I would’ve had have already been addressed by later episodes. I’ll comment on anything that is still left hanging where I can.


The episode opens with a flashback. A boy is being forced by his father to kill a chicken by chopping its head off to prove that he will grow up to be a man, but the boy resists. The father tells the boy that he will have to stay outside all night until he kills the chicken and walks away in anger. Another boy walks over, who we assume is the first boy’s younger brother. The young boy picks up the chicken and without remorse snaps its neck with his bare hands. The younger boy hands the chicken to his brother just as the father comes back and begins to praise the older boy, but the boy says that he didn’t do it. The father is angry with him again. He squats down to tell the younger boy that he is proud of him and that at least he knows that he will grow up to be a man. The younger boy is Sayid.


This scene was very reminiscent of the Mr. Eko flashback, when his brother was being forced to kill someone in his village by the sadistic local drug dealers, but Eko killed them instead to save his brother’s innocence. It also has echoes in the episode when Locke is told by Ben that he has to kill his father to prove his worth to the Others. In that case, he gets Sawyer to do it for him.

Sayid kills the chicken with no remorse, no difficulty, and with his bare hands. Is it to please his father, or is he really just a cold-blooded killer? This is a theme that comes up again, especially at the end of this episode.


Young Ben brings a chicken salad sandwich to Sayid. On his way in, Phil asks him why he’s doing this for a Hostile. Ben says that just because he’s a Hostile, that doesn’t mean he’s not hungry. Ben brings the sandwich in to Sayid along with a book, called A Separate Reality. Ben says, “I’ve been patient, and if you’re patient too, I think I can help you.”


A Separate Reality is the purportedly non-fiction story of the author’s time with a self-proclaimed sorcerer, and involves the use of plants to provide mind-altering experiences. In other words, he did a lot of drugs with the dude and wrote a book about it. But besides this, is the title a hint at what’s to come, or are the writers just playing with us, knowing that some people suspect that there will be alternate realities in the show?


Next we see Sayid in an apartment building in Moscow, making what turns out to be his last kill for Ben: a man named Andropov, who tries to bribe Sayid with money before he shoots him dead. When Sayid meets Ben outside the building, Ben says that he has killed the last of the people in Widmore’s organization that poses a threat to his friends, and tells Sayid to “go live your life.” Sayid questions him: you had me kill all these people just to walk away from me? Ben corrects him, saying that he didn’t have Sayid kill them; he’s the one who asked for their names.


One interesting “Easter egg” in this scene: when Sayid meets Ben outside the building, there is a sign in Cyrillic on the side of a building that in English reads “Oldham Phamaceuticals.” Oldham is a name we will hear later this episode…


Horace and Radzinsky come to Sayid’s cell, and Horace has a pair of heavy duty-looking scissors or clippers, which look menacing considering the situation. However, he uses them to clip off Sayid’s handcuffs. Sayid thanks him, but still won’t answer any of his questions. Radzinsky insists that Horace asks him about the model, but Horace tells him to cool it. He tells Sayid, “Either you’re in some kind of disagreement with your people, or you’re a spy.” Sayid remains silent. Horace gives him an ultimatum: he has one hour to decide to talk, or else “we have to take this to the next level.”


In Juliet and Sawyer’s house, Juliet is staring out the window at Jack and Kate walking out of the house next door while bacon burns on the stovetop. Sawyer comes in and tells her that the bacon is probably ready. He sees what she’s looking at, and she says, “This is all over, isn’t it? Us, playing house. All of it…I never actually thought they’d come back.” Sawyer tells her that nothing has changed, and not to worry because Sayid isn’t talking; he’s got everything under control. Horace comes by and tells Sawyer that they need to find out why the prisoner violated the truce, and that if he isn’t talking, they will have to have someone named Oldham “do his thing” on him. Sawyer is taken aback: “That psychopath? No way.” But Horace asks what choice he has. Sawyer wants to “have a go at him alone,” and Horace agrees, but doesn’t think it will work.

Sawyer goes to the security station and tells Phil to take his lunch break, but has to tell him twice because Phil resists at first: he’s going to go in there by himself? Once Phil leaves, Sawyer goes in and asks Sayid how he’s doing. Sayid utters the best line of the episode: “A 12-year Ben Linus brought me a chicken salad sandwich. How do you think I’m doing?” Sawyer replies, “Sweet kid, huh?” Sayid asks Sawyer how he can live with Ben there, and Sawyer says he doesn’t have a choice. He then head butts him and apologizes immediately after: “If I’m telling them I got your confession, they need to believe you didn’t give it up easily.” But Sayid doesn’t want to confess – he just tells Sawyer to let him go. Sawyer says that he can’t. “These people trust me…I’ve built a life here.” He tells Sayid that he can either cooperate, or he’s on his own. Sayid replies, “Then I guess I’m on my own.”


It’s clear at this point, with hindsight at least, that Sayid knows exactly what he’s going to do with Ben. I wonder if he ever considered telling Sawyer what his plan is, or trying to bring Sawyer in on it. He must suspect that Sawyer would never do that to one of “his people,” even if it was Ben, because it would ruin things if they ever found out.


Next, we see Hurley bringing a plate of waffles and ham to a table where Jack and Kate are sitting, and sits down next to them. They are in the Dharma cafeteria, where Hurley is now a chef according to the Dharma logo on his jumpsuit, and there is a Geronimo Jackson poster hanging on a wall in the background. Hurley tells them, “Don’t forget to try the dipping sauces – they really bring out the flavor of the ham.” Hurley asks what Jack knows about what’s happening with Sayid, and Jack says he doesn’t know anything; he went to Sawyer who told him to mind his own business. Kate offers to talk to Juliet but Hurley says why bother trying if Sawyer isn’t saying anything. This comment lets the cat out of the bag: Kate asks Hurley what he means, and Hurley tells them that Sawyer and Juliet are living together, and not the roommate kind of living together. Kate seems surprised, but Hurley says, “Who couldn’t see that coming?” But he sees that things aren’t so comfortable at the table anymore, so he leaves to make more waffles.


Another new Dharma logo, another Geronimo Jackson reference. Apparently, the poster lists the band as appearing at Woodstock, or at least playing a show on the same dates as Woodstock.

And you just know that the ham dipping sauces were Hurley’s idea. With his love of Dharma ranch dressing, dipping sauces must be right up his alley.


Roger Linus comes in to clean the jail area. He sees Sayid behind bars, laughs, and asks him, “How dumb are you that you got caught by these idiots?” But Sayid makes a stinging comeback – “And you’re the one mopping up after them.” Ben comes in with a sandwich and is startled to see his father there. He stammers out, “I was bringing you a sandwich,” but Roger isn’t buying the lie. “You never made me a sandwich in your life,” and Ben admits that he was bringing it for the prisoner. Roger pushes Ben into the bars of the cell as Sayid reacts but can only helplessly watch. Roger dismisses Ben and tells him to go home, and then flings the tray with the sandwich against the wall.


People love to point out how dumb a move it was for Roger to throw the sandwich against the wall, making a mess on the wall and floor, since he’s the one who has to clean it up, so I thought I would point it out as well.


We then see a flashback of when Sayid was working in Santo Domingo at the Build Our World site. Sayid is working, but then stops and senses something. He turns around and Ben is standing there. Ben tells him that John Locke is dead, and that he “thinks he was murdered” as retribution for the “work” he and Sayid were doing. He tells Sayid that he is in danger because if they could find Locke, they can find him, and adds that at that moment there is a man sitting outside Hurley’s mental institution, probably waiting for Ben and Sayid to show up. Sayid makes it clear that he isn’t interested, though. We have seen that he obviously is trying to turn over a new leaf by doing the work he is doing now. Ben asks how he could possibly not want to kill the man, though, and when Sayid asks why Ben thought he would, Ben answers, “Because you’re capable of things most men aren’t. Every choice you’ve had in your life, to murder or not to murder, hasn’t really been a choice at all, has it? It’s in your nature. It’s what you are. You’re a killer, Sayid.” Sayid replies, “I’m not what you think I am. I don’t like killing.” Ben apologizes, saying “I guess I was mistaken about you.”


Here we see Sayid struggling mightily to turn over a new leaf and leave his murderous past behind, but Ben is like that guy in the heist movies: ‘just one more job.’ It appears from this scene that he is winning the battle, but…


Back in Sayid’s cell in 1977, Sawyer, Radzinsky, Horace, and Phil return. Sawyer tells him that this is his last chance to speak. When Sayid doesn’t, Sawyer is forced to give him a shock, and Sayid falls to the ground. We then see them taking Sayid in a Dharma van to Oldham. Oldham apparently lives in a tipi in the jungle, and there is a Victorola-style turntable playing “I Can’t Give You Anything But Love” as performed by Billie Holliday. When Sayid asks who Oldham is, Sawyer tells him, “He’s our you.” Oldham takes a dropper with some sort of liquid and places it on a sugar cube. They put him in restraints which are tied to a tree. Oldham tells him it’s “for your protection. There are side effects for what I’m giving you.” They force the sugar cube into his mouth so it will dissolve. “Don’t be afraid,” Oldham says, “just turn your mind off, let it take effect. One thing’s for sure, friend – you will tell us the truth.”

Next, we see a replay of the Pier 23 scene yet again, but for some reason, it’s slightly different this time: when Ben tells the assembled O6 about returning to the island, Sayid says that if he ever sees Ben again, it’ll be extremely unpleasant for us both. When we’ve seen this scene before, he says this, but to Jack and Ben together. Regardless of why the producers/writers changed this, Sayid leaves the pier and goes to a bar, where he is drinking McCutcheons (of course). A woman sits down next to him – it’s Ilana. She asks him how much the Scotch is, and Sayid tells her it’s $120 a glass. She orders a ribeye from the bartender, “bloody.” Sayid then asks her, “Are you a professional?” She is slightly indignant about being accused of being a prostitute, but then says, “I’m not a professional anything. I just thought you looked sad. I like sad men.” She questions what Sayid does, and he tells her that he’s in between jobs at the moment, but that he used to do “the only thing I was ever good at.” She asks him why he quit, and he says that he’s trying to change. She tells him that now she knows why he is so sad – “When you’re good at something, there will always be people who tempt you into staying the same.”


What is left for Sayid? Is that what he’s thinking about at the bar? What does he have to return to? Maybe this is the sadness – not seeing where else to turn and sticking with the one familiar thing in your life. Unfortunately for Sayid, that thing is killing.


Back in 1977, Sayid is dazed under the influence of Oldham’s magic sugar cube. Oldham questions him about his name and why he is in handcuffs. With a very sad, almost child-like expression, he says, “Because I am a bad man.” Sayid tells them that he is not a Hostile; he was actually on a plane, Ajira flight 316, which returned him to the island. “You mean you’ve been here before?” they ask. “Yes. The first time I was on Oceanic flight 815, and it crashed. I was here for 100 days, and then I left,” he tells them, and then adds, “Ask Sawyer.” Sawyer looks worried. Oldham asks him who Sawyer is, but before Sayid can answer, Radzinsky yells, “Who cares?! None of this matters! Ask him about the Flame!” Oldham more calmly asks Sayid what he knows about their stations, and he says, “I know the Flame was a communications station, the Pearl was to observe other stations, the Swan was to study electromagnetism, but of course that was before the incident…” At the mention of the Swan, Radzinsky freaks out. “The swan?! How would he know what we were going to name it? We haven’t even built it yet! I told you, he saw the model.” Horace tells Radzinsky to cool it. Then Sayid says, “You’re all going to die, you know. You are going to be killed.” They ask how he knows this, and Sayid tells them, “Because I am from the future.” At this, Oldham turns away from Sayid and sheepishly says, “Maybe I should’ve used half a dropper? Oops.” Sayid then laughs maniacially – “You used exactly enough! Ha ha ha ha ha!”


This was a really creepy but great scene. I love how he’s telling them the honest truth – after all, that’s what Oldham said would happen – but the truth is so out there and insane-sounding, Oldham believes he gave him too high a dose of the “medication.” It’s the same reaction we get when we try to explain LOST to people who don’t watch it.

Speaking of the drugs, I think they make it very clear that it is an LSD/acid-like drug. An interesting connection is that the real-life Richard Alpert (who later changed his name to Ram Das) was either an acquaintance of, or a co-researcher with, Timothy Leary, who was a pioneer in studying the effects of LSD. LOST’s Richard Alpert isn’t in this scene, but nonetheless, an interesting connection to the show.


Juliet is orienting Kate to the motor pool, telling her all about flat four engines and such, which Kate knows nothing about. They then start talking about relationship stuff, and Juliet asks Kate if she knows about her and Sawyer, and Kate says that Hurley told her about it. Juliet tells Kate that she wasn’t sure how to bring the topic up without making it sound like she was telling Kate to stay away. Then the Dharma van with Sayid and the others returns, and they walk Sayid back to the cell.

Later that evening, in someone’s living room in the Barracks, the Dharma people are gathered together for a meeting. They are taking a vote about what to do with the prisoner. Radzinsky desperately wants to kill Sayid, but Sawyer wants to talk to him again. Someone calls Radzinsky by his first name, Stew, which we haven’t heard before. He tells Horace, “We make a decision, or I call Ann Arbor and they make it for us,” which seems like a threat to Horace’s leadership. Finally, Amy chimes in and says that she “can’t sleep with one eye open.” They have to think about Ethan, and all the children; how are they going to feel safe with this man around? She sides with Radzinsky, which of course carries huge weight with Horace. He finally takes a vote, and everyone votes to kill Sayid except Sawyer. Horace turns to him and says that he really wants the vote to be unanimous, and so Sawyer, seemingly in trying to keep the trust of “his people,” raises his hand in agreement.


Many fans are now suspecting that Amy is really an Other who has infiltrated Dharma. The mysterious picnic with Paul is the main piece of evidence for this, but some have also mentioned this scene as further proof. The theory is that she wants Sayid dead so that he can’t rat her out as a Hostile. The only problem I have with this idea is this: wouldn’t she know Sayid? And wouldn’t he have to know her to rat her out? And wouldn’t he just say something about her before they kill him as a way to escape a death sentence? I don’t know – there are some strange things about Amy, though, I’ll admit to that.


We go back to Sayid and Ilana, who have moved things to a hotel room. They are getting ready for a magical evening, and Ilana lays on the bed and lifts her leg in the air for Sayid to unzip her thigh-high boot. But when he begins to take her boot off, she suddenly kicks him in the face and pulls a gun on him. She explains that she is a bounty hunter hired by the Avellino family to take him in for killing Peter Avellino on the golf course in the Seshelles (?) She is going to take him to Guam.


Ahhh, now we know why they got on the Ajira flight to Guam! Who had “She’s a bounty hunter” in their office LOST pool?


In 1977, Sawyer goes to Sayid’s cell and tells Sayid to hit him in the face, take the keys from his pocket, and run away, which is what Sayid wanted earlier. But now Sayid tells him that he is fine right where he is, despite the news from Sawyer that the Dharma people, “even the new mom” voted to kill him; “I know now exactly why I’m here.”

Sawyer then charges off to Kate’s house, and when she comes out, he asks her why they all came back. “I don’t know why anyone else did, but I know why I did,” she answers. Just as we suspected – it was to reunite with him…right? But before he can ask her to explain, a flaming Dharma van comes flying through the Barracks and crashes into a house, setting it ablaze. Sawyer goes into security mode and runs to a nearby water tower to start putting out the fire. Jack comes over to help, and Sawyer says, “Three years, no burning buses. Y’all come back for one day...” He then makes a call over the walkie for all security personnel to come help with the fire. This includes Phil, who gets the call in the security station and leaves immediately. The minute he leaves, a hooded Ben comes out of the shadows and goes to Sayid’s cell. Sayid notices that Ben’s glasses are taped up. “I know,” he says, “my father was a hard man as well.” Ben tells him that he hates it there. “If I let you out, will you take me with you? To your people?” he asks. “Yes, Ben, I will,” Sayid answers. “That’s why I’m here.” Ben unlocks the cell and lets Sayid out.


In the next scene, Ilana is leading Sayid through the airport. Sayid looks around and sees Hurley, then Jack, and then Kate, and gets a really bad feeling. He asks Ilana if they can take the next plane – “I’m superstitious.” “I’ll buy you a rabbit’s foot,” she answers.

On the plane, he sees Sun. And then Ben walks on. They make eye contact, but neither one make is obvious that they know each other. As Hurley freaks out about Ben’s presence on the plane in the background, Sayid turns to Ilana and asks her if she’s working for Benjamin Linus. She says she doesn’t know who Ben is. Sayid tells her, “He’s a liar, a manipulator, a man who allowed his own daughter to die to save himself. A monster responsible for nothing short of genocide.” She asks him, “Why would I work for somebody like that?” And Sayid quietly says, “I did.”


So if we are to believe Ilana, she is not working for Ben, as many have suspected. So that must mean she is working for Widmore, right? Or maybe the story she’s telling is that simple: she’s working for the Avellino family and needed to bring him back for justice. ..Nah, nothing is meaningless in LOST! Trust no one!


Sayid and Young Ben are running through the jungle. They come across a road, where a Dharma van drives by, and they momentarily get caught in its headlights. The van stops, and Jin walks out. Sayid emerges from the darkness to talk to Jin. Sayid tells him that Sawyer let him go because the other Dharma people were going to kill him. Then Jin’s walkie crackles with the sound of someone alerting everyone that the prisoner has escaped. Jin and Sayid both know what this means, and Sayid begs Jin to let him keep moving. “Okay,” Jin says, but adds, “let me talk to him first.” He goes to the walkie and begins to send a message, but Sayid makes a quick move to knock him out. Ben who has been looking on says what every 12 year-old boy would say: “Whoah, where did you learn how to do that?” Sayid is crouched on the ground next to Jin. He takes Jin’s gun, and almost to himself says, “You were right about me.” Ben is confused. “I am a killer.” Sayid then raises the gun at Ben and shoots him once in the chest. Ben falls to the ground. Sayid walks over to Ben’s body and seems to pause for a moment, and then runs away.


LOST


That was certainly one of the most shocking endings in LOST ever. This got so much talk going among fans about what this would mean – if Ben dies, what happens to the future (post-1977, I mean)? Does it change? Or (and most people thought this), he’s still alive because he has to be – we already know he grows up, so there’s no way he can die as a child. So how does he survive? How does he get healed?

We already know the answer to most of this by now, but here’s one that maybe we don’t have an answer for: why would the island allow Ben to be saved?


Next up is “Whatever Happened, Happened.” Until then, enjoy!


You Have a Bit of a Journey Ahead of You - 5x09: "Namaste"

Here is the first of four recaps of past episodes that I never got to do when they were first aired.
Enjoy!

5x09: Namaste

Ajira 316 is in the air at night. Lapidus’s co-pilot notes that Hurley is on the plane and how he must have nerves of steel to fly over the same part of the Pacific. Lapidus, we can tell, knows what is about to happen. The turbulence starts, the bright light flashes and we hear the flash sound, and suddenly the plane is in daylight. It starts stalling out, and we see the plane hurtling toward the island through the windshield. Frank is asking for more power from the co-pilot, who doesn’t think he can pull the plane up in time. He does, of course, and suddenly a white strip of sand appears below – a runway. They make a mayday call, but it doesn’t work – instead, they hear the numbers being broadcast. As Frank lands the plane, they realize that the runway isn’t long enough, and they crash into the jungle.

After some time, Frank wakes up from being knocked out from the force of the crash. The co-pilot has a tree trunk through his chest – he is dead. Cesar wakes Ilana up, and she says something that sounds like “Jarrah” or “Sarah.” Ben is also there – which means that he is not in the injured survivor room at the Hydra because of injuries from the crash, as we saw him a few episodes ago.


Two things about Ilana: first, she has no reaction to the turbulence during the crash. Was she expecting this? Is this a clue to what she is up to? Second, what does she say when Cesar wakes her up? Most guesses are Jarrah, Sayid’s last name, or Sarah. Jack’s ex-wife was Sarah, and I believe Juliet’s sister might have been named Sarah. Is there a connection?

As for other things in this scene, there has been a lot of talk about the numbers being heard. First, it sounds like a different voice is reading them than the voice we heard last time, when Danielle Rousseau’s crew arrived on the island and heard them on the walkie, for example. In that scene, it sounded a lot like Hurley’s voice. In this scene, there isn’t a popular guess as to who it could be. But second, why would the plane have heard the numbers in the first place? If it’s 2007, as we are assuming, we shouldn’t be hearing them; Rousseau turned off the signal just before the freighter arrived in Season 4. So what does this mean? One idea is that the numbers broadcast was “residue” from the plane crossing into the island’s “bubble.” As it crossed, it allowed Kate, Jack, etc. to be transported to 1974, and then maybe it popped back out of the bubble, but there was some “time residue” left and they were still hearing the numbers. I’m not sure I agree with this idea, and it also doesn’t explain why a different voice might be reading the numbers. Another idea is that this is a clue that they are arriving in an alternate timeline. A timeline when someone else is reading the numbers, and the numbers are still being broadcast. More on this alternate timeline later…


30 years earlier, we see the continuation of the reunion of Sawyer with Jack, Kate, and Hurley at the island’s North Point. Hurley gives Sawyer a hug, and Sawyer says to “take it easy, Kong.” Hurley says, “I actually miss that.” Sawyer asks where Locke is, and they tell him that Locke is dead, but don’t answer how. Hurley asks what the deal is with the Dharma jumpsuits, and Sawyer says that he is in the DI. Jack thinks the DI came back, but Sawyer corrects him: “We came back, and so did you…it’s 1977.” Hurley utters, “Uhh…what?”

The scene continues with Hurley commenting on Jin’s speech: “Dude, your English is awesome!” Sawyer shares his plan with them – for the moment, they need to stay here until he can think of a way to bring them in. Jack tells Sawyer and Jin that they didn’t come back alone; others came with them, including Sun. At this news, Jin jumps into the Dharma jeep and says that he’s going to see Radzinsky at the Flame because he’d know if a plane came to the island.

Next, we see Juliet at the security station, where Miles is on duty. She is looking for Sawyer, who took off on her that morning without saying where he was going. Miles switches one of the TV screens to the view of Sawyer and Juliet’s house – he’s there.

Sawyer is at the house going through clothing in his closet when Juliet arrives, and he tells her that “they’re back.” Juliet is overwhelmed by this – who? How? They’re here now? Sawyer fills her in on everything he knows, but says that he is just as confused as she is. He needs a way to bring them in before they screw up everything they have there on the island. Juliet brings up the sub – there is one coming in that day. They could pretend that the three Losties are new arrivals on the island.


In this scene, the look of shock, then horror is clear on Juliet’s face (nice job, Elizabeth Mitchell!). She is shocked at the mere fact that they somehow came back in time by plane, and that they made it to the island, but she is also worried that their return is going to ruin the life she has with Sawyer. But Sawyer is, too; he stops racing around looking for clothes to lend to the newly-returned Losties when he sees the look on Juliet’s face and tells her that he wants to bring them in without ruining things. They seem to be on the same page here.


Jin arrives at the Flame. Inside, Radzinsky is building a model of the Swan – specifically the geodesic dome in this scene – on top of some blueprints. Jin starts going through printouts, angering Radzinsky: “Nobody handles any of the gear in this station except me.” Jin asks him to check the other stations to see if they detected a plane landing on the island. Radzinsky balks at this idea – a plane on the island? Jin has no time for nonsense – he strongarms him to make the call. Radzinsky reluctantly and sarcastically makes an all-call to the other stations asking if they saw a plane on the island.


I loved seeing the Swan plans! I took a look at the screencaps and couldn’t really make out anything revealing – I was specifically looking for the area that was sealed off with concrete, but I just couldn’t figure out what was what. But I did check out the Lostpedia page about the Swan and found some pretty interesting stuff, which I will share in a separate post.

This is the first time we have seen Radzinsky (not counting the stain on the ceiling of the Swan…) – and he’s totally annoying already.

One more note – if you look closely at the bank of TV screens in the Flame, you can see a very popular late-70’s TV program being broadcast: The Muppet Show! And if I remember correctly, you can see the Muppets on one of the screens every time you see them in this episode.


Sun is shown on the beach with Jin’s wedding ring in her hand. Lapidus gathers all of the Ajira people up and gives a “live together, die alone”-esque speech. But Cesar challenges Frank; if the island is uncharted, why are there building and animal cages down the beach? What is on the bigger island? Cesar wants to search the building (and does, as we see in an earlier episode this season). As this is happening, Ben quietly walks into the jungle. Sun sees him and follows him. Lapidus sees Sun walk away and follows her.

Sun is searching through the jungle for Ben, but suddenly Ben appears and asks her why she’s following him. She asks him where he’s going, and he says, “To our island. Wanna come?”

In the next scene, Amy is sleeping in a hammock with her baby. Juliet walks up quietly and takes some papers off of a side table next to the hammock, but Amy wakes up. Juliet says she was just getting the sub manifest. Amy says two recruits dropped out. Amy lets Juliet hold the baby, and Juliet asks if she and Horace decided on a name for the him. They did: Ethan. Subtle disgust shows on Juliet’s face, and she hands baby Ethan back to Amy.


So the baby is creepy Ethan. I can only imagine what was going through Juliet’s mind as she held him…


Jack, Kate, and Hurley are waiting at the North Point for Sawyer to return. Kate asks Jack if the woman who told them to come back said it would be 30 years ago – Jack says that she left that part out. Then Sawyer drives up in a Dharma van and brings some 70’s-style clothes from his and Juliet’s closet. The plan is that they will pose as new Dharma recruits, and that this is their only chance, as another batch of recruits aren’t scheduled for another 6 months. It either this or camping out for a very long time.


Hurley is wearing another dog-themed article of clothing; this time it’s a bulldog sweatshirt (I’ve heard it’s the University of Georgia bulldog mascot, but I’m not positive about that) to go with his 2007 “I Love Shi-Tzus” convenience store t-shirt.


Back at the Flame, Radzinsky and Jin are waiting for replies from the other stations. Radzinsky says that the Looking Glass was the last station to report in and they didn’t report any planes. Suddenly some of the equipment starts beeping – Radzinsky says a hostile has been detected within the perimeter in grid 325. Jin runs out with a gun, with Radzinsky following. The “hostile” is Sayid; Jin finds him running through the jungle in handcuffs. They start talking until Radzinsky catches up to Jin – Jin then acts like he doesn’t know Sayid and aims his gun at him.

Back in Sawyer’s van, Jack, Kate, and Hurley are all dressed like they stepped out of the ’77 JC Penny catalog. Hurley is asking Sawyer about the DI: “You do know they get wiped out…aren’t you going to warn them?” Sawyer says he’s not there to play Nostradamus, and Faraday has some interesting ideas about what they can and can’t do. Jack asks about Faraday – he’s there, too? “Not anymore,” Sawyer says.


The big question continues: where is Daniel Faraday? What does “not anymore” mean? My theory is that he is working on the beginning stages of the Orchid, but there are so many other possibilities: did he time travel somewhere else? Did he go crazy? Did he just disappear? We don’t really have too much to go on, except for the opening scene of this season, when he is seemingly disguised as a Dharma worker in the Orchid.


It’s a Dharma party! Under the “Welcome New Recruits” banner and to the tune of “Ride, Captain, Ride,” Sawyer puts hooka bead necklaces around the necks of Jack, Kate, and Hurley when they arrive at the Dharma Processing Center. Sawyer tells them not to worry – Juliet has their names on a list, so just watch the video, listen for your name to be called, and get your jumpsuit and work assignments. Hurley asks, “What if they ask us something we don’t know? Like who’s President in 1977? Sawyer again assures him – he’s got their backs.

Miles then drives up to tell Sawyer about Jin’s 14J, the hostile incursion code, at the Flame, and sees the Losties. “What the hell are they doing here?” Sawyer gets on the walkie and calls Jin at the Flame. Jin walks away from Radzinsky to tell Sawyer that the hostile is Sayid. “Son of a bitch,” he says.

Ben and Sun are on their way to some outriggers that are hidden on the beach. Sun asks Ben if Jin is on the main island, and Ben says that’s where he would start looking. Lapidus finally catches up with them and tells Sun not to trust Ben, but Sun says she has to. Frank tells her that he can’t come – he has to take care of the other Ajira passengers. Ben starts telling Lapidus what might be useful to them on the island, but Sun suddenly whacks Ben in the back of the head with an oar, and he collapses on the ground. Lapidus says he thought she said she had to trust Ben. “I lied,” she says.

Jack and Kate are in the Processing Center watching the Dharma recruitment video. Jack gets called, and is met at a table by Pierre Chang himself, who was called out of his lab to fill in for Amy. He gripes about how disorganized everything is. According to Chang, the results of Jack’s aptitude test show that he is fit to be a… janitor. Hmmm…did Sawyer have something to do with this? Jack is bemused as Chang gives him a Workman jumpsuit. Meanwhile, Kate isn’t called. Creepy Phil checks the list and sub manifest and finds that her name is not listed on either one, but then Juliet comes in with an updated list and saves the day. But again, was Kate “forgotten” just to give her a little scare, thanks to Juliet?


An interesting note about the video: Pierre Chang has a Swan station patch on his lab coat…but isn’t Radzinsky still just planning the Swan? How can he be wearing a patch for a station that hasn’t been built yet? There are two theories about this. One is that it’s simply a production error. The other is that the Swan actually has been partially built, or has been built for its original purpose, but that Radzinsky is planning on adding on to it for some reason. According to the Swan orientation video, if I remember correctly, the Swan was being used for a purpose that was different from its original purpose due to the incident. But we know the incident hasn’t happened yet, so this can’t be why Radzinsky is designing what he is. I think that what he is working on is the original Swan, and not an addition. I don’t think it has been built at all in 1977.


Sawyer arrives at the Flame. Radzinsky is freaking out – he is worried that Sayid saw the Swan model, and that he is a spy. He proposes that they shoot him. Sawyer wants to talk to him instead. They bring Sayid, who for a moment is shocked to see Sawyer, out of the storage room. Sawyer tells him to “listen real carefully to what I got to say,” which has a double meaning; since Radzinsky is standing here, you are a hostile that needs dealing with, but between you and me, I’m about to give you some really useful information about what’s going on, Sayid. Sawyer tells Sayid that he has to identify himself as a hostile according to the truce, or they have a right to shoot him, and Sayid says that he is. Sawyer then says that he is taking Sayid to the Barracks. Radzinsky strongly disagrees and threatens to tell Horace, but Sawyer tells him to go right ahead; he isn’t threatened.

Sun and Lapidus arrive at the wharf on the main island. It is in a state of disrepair – lampposts have fallen over and it looks like it hasn’t been used in a while. It is dark, and they hear the distinct sound of the Smoke Monster’s clicking as it rustles in the trees, but Sun tells Frank that it’s probably just an animal. Lapidus probably has no idea that the Smoke Monster exists. They arrive at what looks like the Barracks, but the buildings are also in shambles: windows are boarded up, the Processing Center sign is hanging sideways, and strangely there are still some Dharma logos on the buildings. As they walk further into the area, they hear the whispers, and then a light turns on in one of the buildings. Sun and Frank watch as a door opens, and Christian Shepard walks out. Sun tells him that she’s looking for her husband. Christian simply says, “Follow me.”

Things are a mess inside the Processing Center building. Christian is looking at some framed photos hanging on the wall and reading off the years of the photos: “’72…’76…’78…ah, ‘77.” Sun is asking him where Jin is, and he says that he is with her friends as a door behind them mysteriously opens and he hands her the picture. It is a photo of the DI recruits from 1977 – including Hurley, Kate, and Jack. “I’m sorry – you have a bit of a journey ahead of you,” he says.


There are a few things about this scene to talk about. The biggest was the fact that after the door opens, presumably blown open by the wind, there is a one shot of Sun’s face, and over her left shoulder you can see a woman with long hair in a black t-shirt with some sort of white logo or writing on it standing in the room behind her. I guess I need a new TV because I watched it three times and have no idea how anyone could make her out. When you know to look for her, you can see her, but otherwise, this must be something that people with HD noticed. Anyways, the theories were flying that the woman was Claire, or Charlotte, or even the ever-discussed Annie, Ben’s schoolmate back in Dharma Middle School. But of course, the simplest explanation is that it was a crew member standing in the shot, and the show editors missed it. It seems that this is the answer, as people who have watched the episode online recently said that you can’t see this person anymore.

On to more story-related things, this scene kicked off a lot of discussions about something I mentioned earlier: the possibility of an alternate timeline. Here’s the issue: when the Others moved into the Barracks after the purge, they seemed to erase all traces of Dharma from their surroundings. We never saw any Dharma logos or signage anywhere. Now in what we assume to be the Barracks in 2007, the Processing Center sign is still there, as well as a big Dharma logo on the door to the building. What gives? How are these Dharma signs still on the buildings? Is it just a building we have never seen before? But why would the Others leave the signs up on this building and remove them from all other buildings? Another issue is the photos in the Processing Center. Why would they still be hanging up? And wouldn’t someone recognize the Losties in the photos? The Losties were in the Barracks for at least a few weeks – no one stumbled onto these pictures? It looks like the Others never moved into the buildings – but we know that they did. So is this some sort of alternate reality, where the Others didn’t move in? Is this a timeline when the purge never happened? This is definitely something to think about.

What is the journey that Christian is talking about? What is Sun going to have to do to find Jin? The obvious theory is that time travel will have to be involved. (We learn a little more about this journey in the next episode.)


Back in 1977, they are taking the exact photo that Christian showed Sun. The photographer tells them to say “Namaste!” when they smile, and Hurley says, “Nama what?” Geronimo Jackson’s “Dharma Lady” is playing in the background. Phil tells everyone that they are free to get settled into their “new digs” and to review their security protocol handbooks. “We got hamburgers, we got punch…” Then Phil gets a call on his walkie from Sawyer – they are about to arrive with the 14J.

They bring Sayid to the cell in the security station, and Sawyer tells Phil to bring him some food; “We’re not savages.”


In case you haven’t heard, you can download Geronimo Jackson’s song “Dharma Lady” on iTunes as a free download. It’s quite a groovy tune. We heard this song in the previous scene, and it’s also the song that Jin was listening to in the Dharma van when he first discovered Jack, Kate, and Hurley in the lagoon when they returned to the island.


Jack goes to see Sawyer at his house, but Juliet answers. Jack thinks he has the wrong house, but Juliet says no, come on in. Sawyer is reading a book. Juliet excuses herself – “I’m sure you two have a lot to talk about…” – and Jack asks Sawyer what the plan is. Sawyer says he’s thinking about it. Jack counters that it looks like he’s reading a book. And then Sawyer gives Jack a verbal smackdown: Winston Churchill read a book every night because it helped him think, and that’s what I do – I think, but you react. Jack says that he got everyone off the island, but Sawyer points out that he’s right back where he started, and a lot of people died because of his decisions. Sawyer ends up telling Jack to let him handle everything; “Isn’t that a relief?” Jack says yes, and I think I believe him when he does. Jack never asked to be the leader when Oceanic 815 crashed, and after everything that’s happened, I think he’s happy to let someone else take the lead. Jack leaves, and sees Kate in the next house as he walks away.

In the final scene, a boy walks into the security station and tells Phil that he is delivering a sandwich to the prisoner. He goes to Sayid’s cell and puts the brown paper bag with the sandwich inside through the slot in the bars, telling him that he didn’t put mustard on it. The boy asks Sayid if he’s a hostile, and what his name is. Sayid tells him his name and asks the boy what his name is. “I’m Ben.” Sayid pauses to register who this boy is, and then says, “It’s nice to meet you, Ben.”


LOST


Is “I didn’t put mustard on it” some sort of code? There was a lot of discussion about this when “Namaste” first aired. Was Ben trying to tell Sayid something that he thought he would understand because (he thinks) he’s an Other? It just seemed like such a random comment to make.


Your thoughts?


Next up is “He’s Our You.” Stay tuned…