Sunday, March 28, 2010

Not In Portland: A Very Special Episode of LOSTBlog

Hey Losties,

As I believe I mentioned in a previous post, I will be away from civilization this coming week, so I will not be able to watch the new episode of LOST on time, and therefore will not be posting about it on time, either. I am going to make every attempt to watch while I'm there, but where I'm going, communications are not always reliable; I will probably post sometime on Friday.


So, where am I going?

By the time you will likely read this, I will be depending on others for my survival. I will need to rely on those who have already settled this place for food and shelter. The journey there is long and potentially arduous (because I'll be on a bus full of sixth grade boys), and it's beneficial to simply sleep through the trip (orange juice optional, though there are usually bagels in the main office at school before we leave). People will be moving through the dense forest at night, where strange sounds will be heard. Groups and alliances will be formed. Our fates will be uncertain. And if we don't live together, we're going to die alone. (Not really.)

Sound familiar?

(Cue Charlie Pace:) "Guys...where are we?"

Colebrook, CT is the home of a YMCA camp where, once a year, Chalk Hill School sixth-graders and their chaperones attend "Nature's Classroom." It's four days and three nights of activities and classes where the students learn a little something about the outdoors.....and themselves. (You knew that was coming.) It's a fantastic experience for all of them; for many, it's their first time away from home, and it's certainly the first time that they do many of the activities, such as candle-making, shark dissecting, caring for llamas, edible plants in the forest, walking in the woods at night, and so many others. There is even an Underground Railroad simulation where, yes, the children become slaves (though aren't they already? ; )  ) which makes quite an impression on most students. Oh, and they get to sing "Daddy Shark," too, but that's another story. 
My role there is as a chaperone, which includes living in a cabin with 20 sixth-grade boys; monitoring various places around the camp, such as the zoo, Boulder Basin, and the giant slide; and for most of the time, hanging out with my fellow chaperones as we eat the food confiscated from students (they're not allowed to bring food with them, so we can always depend on them having some), sit by the fireplace, nap on the couches, and chill the eff out. How does any of this help them on the Connecticut Mastery Tests? It doesn't, which is why it's the greatest thing that happens in sixth grade.

But I don't tell you all of this just so you know where I, DharmaTeacher, am all week. You see, while I'll be playing the teacher role there, there is also an element of Dharma afoot at NC. It's very subtle, but I believe there is a conspiracy at work, and that NC is the reason why I'm obsessed with LOST, why the DI always felt a little familiar, and why being at NC feels like some sort of twisted psychological and spiritual experiment. 

Allow me to present to you the photographic evidence for Nature's Classroom as a Dharma Initiative outpost. Judge for yourself.


Here's the Nature's Classroom logo. Simple and symbolic. 
Sort of like...


...this!


 Notice the octagonal shape of the Dharma logo above. Now look at the shape of this wing of the Senior Lodge cabin below.
Coincidence?!

A map of the Island.

A map of NC. 
Whoah! Almost exactly the same!

This is a typical cabin at NC.

This is the NC Arts & Crafts building.

Look familiar?

Will there be no end to the conspiracy?!?!

 Here's a typical bathroom in the NC cabins. Notice the bar light.
You know who else has bar lights in their bathrooms?


The Dharma Initiative!

This is the NC dining hall. Pay attention to the pattern of the windows in the front of the building. And know that that small room that extends off the left side of the building in the photo above is a greenhouse. But remember that the main purpose of this building is not as a greenhouse....

 ...just like THIS building - The Orchid Station!

Here's the lake at NC. (Pay no attention to the ice and snow.)
Canoes. A small dock. Hmm, where have we seen all of THAT before?

That's RIGHT!

Conspiracy!

"Oh, but I bet they don't have picnic tables at NC and the Dharma barracks," I hear you smugly saying.

NOW what do you have to say for yourself? 
(How do you think we defend ourselves from the guinea hens that roam menacingly around the camp?)

You want lamp posts?

You got lamp posts.

This is hard, indisputable evidence, people! How can you deny the connection?!?!

DI? NC? 
Two letters!!!!!

I will leave you with this picture of the forests of Nature's Classroom, which of course are just like the jungles of the Island. (Doesn't it seem like "the light doesn't fall quite right" in this picture?) 

So if you hear of a fleet of coach buses disappearing from the face of Route 8 (8! It's one of the numbers!) this week, you'll know where to look. All I ask is that you find a multi-billionaire industrialist, convince him to finance an expedition to Colebrook, CT, and be sure to bring a sonic fence. And a guy that can read dead peoples' thoughts. 

Just don't bring Keamy, okay?


Enjoy this week's episode, and you'll hear from me at the end of the week.


Good Luck (and wish me luck) & Namaste,


~ Matt

Wednesday, March 24, 2010

Poor Richard's Almanac: 6x09 - Ab Aeterno

Talk about your wild mood swings.

After I feverishly scoured the internets for a downloadable copy of tonight's episode, "Ab Aeterno" (and if you don't know why I was doing so, then I guess you didn't read the post before this one...yikes...), and was still raging about not being able to watch it until after midnight, and on my computer at that, I not only found and downloaded it, I also found a site that streamed it - thank you zshare.net! - so I didn't even have to wait for the download!

So, was it worth all the sturm und drang that I foolishly endured?

Yes, yes, a thousand times yes.
Yes, in all it's pixelated glory, yes.

After my ordeal in trying to simply watch it, after all the flying off the handle and the yelling and whatnot, 40 minutes later, I was transfixed; I had chills, and more chills, and more chills; my jaw literally - literally - was opened the entire episode; I was reminding myself to breathe; I was even in tears.

"Ab Aeterno" was an absolute masterpiece. I can safely add it to the list of the likes of "Walkabout" and "The Constant" - episodes that demonstrate how special this show is. How, when they do it right, as they often do, they really do it right. These are the episodes you have in mind when you try to convince someone to watch the show for the first time. Maybe it was because I watched straight through without commercials, though I doubt that's the reason, but this wasn't television; this was cinematic territory.

No, it had nothing to do with Benjamin Franklin (I know at least three of you that will get that reference - I couldn't resist), but we finally - FINALLY! - got Richard Alpert's story, and it was unlike any LOST episode we've ever seen. So, let me stick to my original plan and mention a few things off the top of my head:

Ab Aeterno - loosely translated, means "since the beginning of time."

I've never wanted to know exactly who these two men - or beings, or whatever - are more than at this moment. 

It's more and more like that Twilight Zone episode I mentioned in a past post (can't think of the title at the moment), with the devil trying to escape from being trapped by a group of holy men so that he can wreak havoc on the world again.

The Island is the cork that contains evil. LOVE it. And the Monster ignoring the cork and not-so-subtely just smashing the whole bottle? I think this means that a lot of people are in trouble...

The two scenes that had me tearing up: for some reason that I can't exactly explain, the first was when Jacob was talking to Richard as they sat on the log on the beach. It stuck me as one of the most beautiful moments on the show because of what Jacob was saying - as humans, we have to choose the right path ourselves. If there's someone there telling us what to do, what's the point? Not to get too religious or too personal, but this is so similar to my own view of just the simple idea of faith and having a belief in something larger than ourselves. It's not about someone controlling your life. There are so many false steps that people take because they feel that there is a higher power that can and does control their every move, and if they just say or do the right thing, this higher power will make what they want to have happen happen. And when it doesn't, people lose faith in this higher power, when in fact, all they've done is never had any faith in themselves. Jacob, I think, is saying something along these lines; I'm giving you an opportunity here to do something worthwhile - what are YOU going to do with it? This is where I part ways with fundamentalists of any stripe - they seem to discount the fact that this higher power (again, if you believe in this sort of thing) gave us the gift of reason, and this is the most powerful gift, besides life itself, that we were given, because it means we have the power of choice. Or I'm blaspheming. Either way. (Honestly, I hope I'm not offending anyone.)

The only flaw in all of this is that Jacob is the one bringing them to the Island in the first place, which is a method of control. He's forcing them into making this decision, so it's not of their own volition. And, as Richard points out, if he doesn't guide these people he's brought to the Island, then the Man In Black will. That's an excellent point. They almost seemed to be preparing us to discover that Jacob really is the devil early on in the episode, but I think that tide turned back to Jacob-as-the-good-guy again. (I say this all the time, but can you believe that this is a network television show we're talking about?)

The other scene that had me weepy was more obvious: Isabella returning to Richard, even if just for a moment, through Hurley. Jorge Garcia continues to impress - he played that scene with the perfect amount of gravity, humor, understanding, and sadness. Richard is a man who has lost everything, and everything that we saw tonight leading up to that moment gives us a full understanding of the depths he was in. Yes, he wanted Isabella back, but really, all he wanted was absolution. He believed he was in hell because he was never given that absolution. Interestingly, when Richard asked Jacob for that very thing, Jacob said he couldn't do that. I wonder if this is a clue about Jacob...

We now know how the statue was demolished - who had "the Black Rock was thrown into it" in the office pool?

I definitely need to do some rewatching to gather my thoughts, but this was my initial reaction to the episode. I intend to post a second entry about "Ab Aeterno" later in the week or over the weekend. I also intend to respond to comments people have left; you know, I finally get comments and then I don't reply to them - what an ingrate!

I also want to give you all a heads-up that I will be away at Nature's Classroom next week, and so I will be relying on someone to lend me their laptop for an hour to watch on Wednesday, which would be the earliest I could watch it online (unless I use zshare.net again!), and another hour (at least) to post if I can. These things may not transpire; we'll see. But I am planning on making a special post about Nature's Classroom that is LOST-related, so stay tuned for that!

In the meantime, I'm tuning out for the night. Can't wait to hear what you all thought!

Until next time,
Good Luck & Namaste,
~ Matt

Tuesday, March 23, 2010

Grrrrrrr......

UPDA TE:
Forget everything below.
Why?
Because my DVR didn't fucking record it. Pardon my French, but can you imagine how absolutely consumed with hatred I am right now?
Why was the red "record" light on when it apparently wasn't actually recording anything? I don't know.
Why did I bother to come home at 7:30 to make sure it was set to record the 8 o'clock replay and the new episode, and then go back to school to finish my sub plans? I don't know.
Why has it recorded both episodes at the same time every week for eight weeks until tonight? I don't know.
Why do I still insist on sticking with Charter for my cable? I don't know.
Will my remote work after I slammed it repeatedly on the floor? I don't know.
I can't wait until Charter shows up on Saturday so I can tell them what a piece of shite their DVRs are. The hi-def one I'm getting better not do this...

Off to download it from a website and watch it on my computer - if I can even concentrate on it.
So I don't know when I'm posting now. Stay tuned, I guess.

To quote Sawyer, "Son of a BITCH!"

~~~

No way. 
OMG! 
Can you believe when... 
I cried. 
That. Just. Happened.
I just don't know what to say.
What does that mean?!

These are things I WISH I could legitimately say right now, but...

Hello, my blog-following friends,
I'm afraid I had to be more "teacher" than "Dharma" tonight, and have yet to see the latest episode, which I know was supposed to be about Richard Alpert, but I don't even know what the title was - and that is on purpose, of course; spoiler-free!

I'm playing hooky from school tomorrow to take care of some things, and so I had to write up my sub plans. Needless to say, I got home around 9:30 tonight (but hey, I get summers off, right?), and so I've had to wait until the episode was over to be able to watch it. This also means that I have yet to eat dinner, which I am doing pronto. But I didn't want to leave any of you in the lurch, so I'd thought I'd post a quick explanation.

So, for those of you furiously texting me during the past hour-and-a-half (I'm looking at you, Toniann...), now you know why I've been ignoring you, for fear of being spoiled. I will text you back after I finally watch it tonight. And yes, I WILL be watching it tonight.

Posting tonight? Well, that's a little more dicey... I will likely post something later tonight, but what that something is, I have no idea; probably just some initial thoughts. I should also tell you that I've been struggling with an intermittent internet connection here at home, which is going to be looked at on Saturday, so even if I do make an attempt to post something, it may not actually appear.

So now that I'm through whining and making excuses, long story short:
  • A brief-ish post tonight (or, at this point, this morning to you) 
  • A longer one later (because I have a feeling I'm going to want to reeeeeally talk about this one!) on Wednesday.
Alright? Alright.

And now, something you might have been saying yourself at the end of tonight's episode - click here.


I shall return...

Wednesday, March 17, 2010

"Problems I'm Still Working My Way Through" - 6x08: Recon

"I'm not with anyone, Kate."

So says James Ford at the beginning of tonight's episode, "Recon." Of course, we get the exact opposite sentiment at the very end of things when he tells Kate that they will take Widmore's sub off the Island together. Does he mean it? Is he conning her, using her in some way, or should Skaters rejoice once again?

Another good episode tonight. I must admit, I am a little distracted tonight, and I just had the feeling that there was something going on in this episode that I wasn't getting, so if I'm missing something big in my notes tonight, I hope to rectify that later. But I couldn't really get into this one as I have the last few for whatever reason. I'm curious if any of you felt the same way.

So, what did I get? Let's get into it.

Sawyer's an LAPD detective, and Miles is his partner - of course. I guess the equal footing is the reason that Miles never called his once and current coworker "boss."

Sawyer was calling every Anthony Cooper in the book, it seemed. He asked one of them, or one of them mentioned to him, about being in Alabama in 1976, and his reason for calling was in regards to some unclaimed property. I haven't consulted Lostpedia on this, but I think Sawyer was in 'Bama in '76 - when his parents were killed.

Miles fixes Sawyer up on a blind date. In that conversation (besides all the talk about Laker tickets), Miles reveals that he has a girlfriend. (Fellow LAPD officer Ana Lucia, anyone?) He asks Sawyer about his trip to Palm Springs, though we later find out that Palm Springs was really Sydney. Currently, though, we find out who Sawyer gets fixed up with: Charlotte. (I know we all wanted it to be Juliet, but c'mon, it would be far too early for that momentous reunion.)

Before we get to the most successful beginning to a date ever (well, I mean, it IS Sawyer, after all), the relationship between Miles and Sawyer was interesting. The opening scene has Sawyer running the "pigeon" con on a conquest who pulls a gun on him. When he tells her that he's really a cop and has the place wired, we're with her: do we believe him? She calls his bluff, he says the magic word, "LaFleur" (LOL), and Miles and crew come busting in, shields around their necks and all. The interesting part is how important trust is to Miles. He tells Sawyer, "You can tell me the truth about anything," and later, when he hears that Sawyer kicked Charlotte out for looking at his "Sawyer" folder, Miles says, "You lied to me - we're supposed to trust each other." Obviously, as partners, trust is huge, but this seemed to be more about their personal friendship. This is different from the on-Island Miles, who has always been in it for himself. He even asks Sawyer if he "wants to die alone" when Sawyer initially balks at the blind date. He really seems to genuinely care about Sawyer.

But back to the date. Charlotte is still an archaeologist (complete with a whip, if you're lucky), and calls Sawyer on keeping his life buried. Sawyer tells her that there was a point in his life when he could've been a criminal or a cop, and he chose to be a cop. Naturally, things quickly move to the bedroom, and after things cool down, Charlotte digs up (I can keep the puns coming, just let me know) the "Sawyer" folder in his drawer. The folder is full of documents and is topped with a photo of Sawyer and his parents, and that same photo as published in the newspaper article of his parents' murder. I didn't catch the headline, but I don't think it stated anything different about the death of his parents than what we already knew. What we do learn is that Sawyer, even though he's on the right side of the law in Alt. 2004, is still hunting down the man who killed his parents. He became a cop to capture him. Sawyer is livid that Charlotte went snooping through such a personal secret - another trust issue, which goes hand-in-hand with the "con" theme - and kicks her out.

We get a quick "Easter egg" scene of Liam Pace asking Sawyer if his brother Charlie is there. Sawyer tells him that it's not his department. At first I thought this scene was going somewhere or would have some bearing on things, but since it didn't, I don't really know what it was doing in this episode, other than giving us a "No way - it's Charlie's brother!" moment.

This scene is followed by Miles laying into Sawyer about how he treated Charlotte, and about how he lied to Miles about his trip to Palm Springs; he was really in Sydney, on Flight 815. But Sawyer still won't tell Miles the truth about what he's doing, so Miles tells him that he is no longer his partner. There's those trust issues again: yes, Sawyer lies to Miles about the trip and is hiding something from him, but Miles went behind Sawyer's back to find out about his trip to Australia. So does Miles have a leg to stand on here?

Sawyer is watching "Little House on the Prairie," and we see quite an unusually extended scene from it, of Mr. Ingalls telling his daughter Laura (yes, fine, I watched it when I was a kid) a life lesson that included a line that went something like, 'those that die aren't really gone.' Afterwards, he goes to Charlotte's apartment with a sunflower (reminiscent of the daisy - I think? - he brought Juliet in 1977) and a six-pack, hoping for her forgiveness. He doesn't get it. "You blew it," she tells him, and closes the door. The next day, he is hoping for the same thing from Miles, but this time he brings something more meaningful than a flower: the "Sawyer" folder. He comes clean to Miles about his search for Anthony Cooper. To be honest, I don't remember how Sawyer explains it or how the conversation goes, but I do know how it ends - with Kate smashing into the back of Sawyer's car as she flees from the police. Of course, she is hooded when she gets out of the car, though we know immediately it's her, and of course Sawyer is the one that catches up to her, and of course this is connected to what happens with Kate and Sawyer on the Island.

On the Island, we see the Monster and his new crew, or Locke's flock (to borrow a phrase from many other online LOST fans), gathering at Claire's hut. Kate is with them - is she really that clueless? - and says hello to Sawyer. He says, "Hi, yourself." Uh oh, I think I've seen this before...  Locke tells them that he will answer any of their questions... and of course, in true LOST fashion, no one asks any. Creepy Claire, who gets creepier by the second, takes Kate's hand in what she wants her to think is a sisterly gesture , but her wacked-out, nightmare-inducing, bat-shit crazy face shows her real intentions. The Monster announces that they are going to a clearing in the jungle, and may need to camp there for four days, which sets Sawyer off. He angrily reminds him that he promised that he'd get him off the Island, and didn't mention that it would take four days. The Monster takes him aside and I think this is when he reveals that he is the black smoke monster. He tells him that it's kill or be killed - "and I don't want to be killed." He sends Sawyer to Hydra Island to check out the Ajira plane and to do some recon (ding ding ding!), because it's the plane that will get them off the Island.

As Sawyer takes off, back at the camp, Kate takes a seat on a log next to Sayid, and she finally notices that Sayid, um, isn't quite himself. "Are you okay, Sayid?" she asks him. "No," he replies. And then Claire grabs her, throws her down, and Kate does all she can to keep the knife in Claire's hand from cutting into her neck. Kate looks up at and calls to Sayid for help, but he just stares with that infection grin on his face. The Monster pulls Claire off Kate, and after she continues to rant and rave about Kate taking Aaron from her, he smacks her in the face, which shuts her up. Kate finally seems to open her eyes to what is going on around her.

The Monster talks to Kate, who is crying in the jungle, about Claire. He says that he takes responsibility for Claire's actions because he was the one who told her that the Others took Aaron; when she found out that Kate had him, it brought all of those old feelings up. He describes her as being full of hate, and it's all he can do to keep her anger and hatred from spilling over. He asks Kate if she has ever had an enemy. From Kate's face, and from her history, we know that she has: her father. He tells her that he has one, and that he has to foster hatred against him. At some point, she says, "This, coming from a dead man," to which he replies, "Nobody's perfect." He does tell her that he is going to keep all of the people there safe, including her. That remains to be seen.

In a later scene (I think), Kate and the Monster have what I thought was the most interesting conversation in the episode. The Monster tells her that "my mother was crazy. I had some growing pains, and I have some problems that I'm still working my way through." And now, he says, Aaron has a crazy mother, too. Again, he could just be blowing smoke (ouch), but he seems to have some genuine concern about this situation. There seems to be something about the way things have gone with Claire and Aaron that is bothering him in some way.

Sawyer arrives on Hydra Island, and when he reaches the cages, we have another Kate-Sawyer connection. He seems pained to see the cages again, but is it because of the terrible things that happened there, or is it due to some sort of longing for Kate? Strangely, Kate's loose-fitting, flowery dress is lying in one of the cages, which begs the question: when exactly did she change out of that dress (well, besides when she went to "visit" Sawyer)? Why would it still be in the cage? I honestly don't remember how that worked, and what she was wearing in the "Dammit, Kate, RUN!" scene. Anyway, he eventually reaches the Ajira plane, and it appears to be in pretty good shape. He notices a path in the sand that looks as if something was dragged from the plane into the jungle, and so he follows it to the object that created it: a tarp piled with dead, rotting corpses. These are the other passengers of Ajira 316. Again, my memory is failing me - I know that the remnants of the Oceanic 6 were transported to the Island in 1974, and Ilana, Ben, Sun, Lapidus, etc. stayed on the plane to crash-land in 2007, but how were all of these other people in one place to be killed like that? Were they just attacked as the Ajira Losties were trekking through the jungle? I'm foggy about how they ended up like this. Regardless, as Sawyer stares at the carnage, he hears someone running behind him, and so he chases after them. It's a woman named Zoe who says that she is "the only one left" from Ajira. And none of us are buying it.

I swore for a good minute or two that Zoe was Rousseau in glasses. Then I decided that it was the dating-video woman from the movie Singles (one of my favorite Cameron Crowe flicks), but I'm not sure.  But Zoe walks with Sawyer along the jungle path and the beach, all the while asking him questions like, "Are you alone?" and, "Do you have guns?" C'mon, lady, you're not even trying. Sawyer's had enough of her feeble attempt to con him and pulls a gun on her. But she whistles, and just like when he calls out "LaFleur" to have his backup come in in the opening scene of the episode, three men with guns come bursting out of the jungle and capture Sawyer. One of the men looks very familiar as a former child actor, but I couldn't put my finger on what show he is from. They take him down the beach to where...the submarine is located! 

As they walk him to the sub, he notices that some of the men are assembling an object that I thought looked a little like airplane landing gear, but is later explained by Sawyer to be pylons that are similar to those that made up the sonic fence that surrounds New Otherton. I don't think it's ever occured to me before, but the sonic fence and the ash both have the same effectiveness at repelling the Monster. Why? It's interesting - he is well-known by two major characteristics: smoke and sound (all those mechanical sounds, the trumpeting he does sometimes, etc.). What two things keep him away? Ash and sound. Something to think about.

Once Sawyer is brought on the sub, he meets Widmore in his quarters, and they strike up a deal. If Sawyer tells the Monster that he didn't see Widmore on the Island and leads the Monster to Widmore so that he can kill him, then Widmore will allow Sawyer and anyone he brings with him to take the sub away from the Island. Sawyer assumes that Widmore wants to kill the Monster, but at this point, can we be sure of that? I have my doubts.

The second Sawyer kayaks back to the main Island, he tells the Monster the whole truth about what he told Widmore. He lied to Widmore, and it's all because the Monster promised to get Sawyer off the Island.

But in the final scene, Sawyer and Kate are talking, and he reveals what (we assume, but...) his real plan is: while Widmore is duking it out with Locke's flock, he is going to escape the Island on the sub.

With Kate.

There will be a LOT of fans who are going to be very upset at this apparent rekindling of the Kate-Sawyer relationship, and I admit that I groaned at it myself. I still believe that there's more to it than that, though. I think this is part of his plan. I don't see him getting back together with Kate, except for how she might simply be an ally he can depend on. Then again, we had a lot of symbolic messages being sent as mentioned above, so who knows.

The Monster is very interesting in this episode, and this is what I want to focus on more in a later post after I rewatch. He seems more human than ever - his interactions with Kate, and with Zack and Emma (the two kids that came with Cindy the flight attendant), show a certain amount of emotion. The scene when he talks about him mother is equal parts puzzling and somewhat emotional. This could just be an act, but I don't know, there was something almost authentic about it. We also saw a few possible cracks in his apparent all-powerful nature. When Claire goes bonkers and comes thiiiis close to slitting Kate's throat, we see that he doesn't have her under his complete unwavering control. I thought this would play bigger when Sawyer returned from Hydra Island after making that deal with Widmore, but alas, Sawyer sings like a bird to the Monster.

Just a couple other quick points: 

Why doesn't Kate run from Locke's flock? She runs away from every other hairy situation in her life, and she decides to stick this one out?

Sawyer smashes the mirror in the LAPD locker room when Miles tells him they are through as partners - we see his broken reflection. This is yet another mirror reference which I don't think I've actually ever mentioned on the blog up until this point...

Okay kids, that's going to be it from me tonight. Again, sorry if this one was confusing, incomplete, or flat-out wrong. I was really struggling tonight, and right about now I'm wishing it wasn't 1:22AM, but what can I do? What did you think about this one? I have comments to respond to from last week, but please don't let that stop you from commenting this time!

Thanks, Good Luck, & Namaste,
~ Matt

Wednesday, March 10, 2010

"How Much Different Would Our Lives Be?" - 6x07: Dr. Linus

**Hey everyone - just a quick note before the actual post - some of you saw me mention this on Facebook last night, but my internet is down at home, so I had to type everything up in Notepad (that program is a lifesaver!), save it on my flash drive, and wait until I got to school this morning to post on last night's episode. Since I don't think any of you stay up until 1am to read the blog anyway, I figured it wasn't a big deal, but thought it was worth mentioning in case you checked earlier and didn't see a new post. My students are jumping off the desks at the moment (they're actually reading and relaxing before the CMTs begin), but at least the blog is now updated!
I also wanted to note that I replied to the comments left for the last two posts, so Jim, Melissa disguised as Ian, and Toniann, check them out! (And Ivan, I need to get to your Facebook posts as well!)
Without further adieu...enjoy!**

~~~
The loss of power was devastating.

 
This is the line that Ben uses to describe Napoleon's exile to the island of Elba in his history class, but it says everything about the state of his own affairs in tonight's episode, "Dr. Linus" - and in both timelines to boot. We saw Ben at his lowest, not as a human being, but as an individual; as a human being, I'd argue that we saw him at his greatest. We saw a Ben who had one thing we've never seen him have before: dignity.

I know I say this every week, and then I proceed to write for the next two hours, but I really am keeping this short tonight. (That's what she sa....oops, wrong show.) For one, there was so much depth to this one, in terms of story, metaphors, and the crossing of stories, just in the first sequence alone, and I need more time to process it. Which brings me to my second reason - I am ill-equipped to process anything tonight. I need a good night's sleep coupled with a re-watch of "Dr. Linus" to give you the quality blogging that you expect from this teacher. So I would like to simply touch on a few points from the episode:


  • Will there ever be another character on television as entertaining, thought-provoking, and just plain awesome as Benjamin Linus? Not unless Michael Emerson is playing that character. He is unreal. Tonight, as he is so often, he was hilarious and heartbreaking, sometimes in the same scene. The scene with his father (Jon Gries didn't do too bad for himself tonight, either) was one of them. But when Ben explains himself to Ilana towards the end of the episode...well, I'm getting chills right now just thinking about it. The way his face changed. How he slowly lowered the rifle. How they both left the conversation with tears in their eyes; you actually felt the hurt that they were both feeling in the aftermath of Jacob's death. This was Ben's redemption. He literally was at a crossroads - he could either continue the path to the Hydra Station with the Monster, or he could stay with Ilana and Jacob's followers. And finally, the man-boy who lived his life without anyone's love was accepted by the last person on Earth who could ever be expected to feel anything for him; because he was finally, for once in his life, honest with her, and she understood exactly where he was coming from, she assured him, "I'll have you." It was like the weight of his entire life was lifted from his shoulders. We have yet to see how this will play out - does Ilana mean it, or is she using him somehow? Has he taken his game to a new level and he is lying about this, too? - but I think it's safe to say that he is on Jacob's side now. Just as Ilana would be the last person you'd expect to have Ben on her side, it's surprising that Ben is joining his side of things because of the betrayal he feels.
  • It occured to me that this episode was surely about Ben's loss of power in both timelines. On the Island, it dealt with a Ben that had already lost power and it was just hitting home for him. How many times did a character like Miles walk by him and say something disparaging? Ilana had him at gunpoint for most of the episode, literally digging his own grave - how much worse can it get for this once-great leader? In the alternate 2004, he was the same plotting and manipulative guy we've loved to be lied to by, but it put him in a similar situation to his Island self: he had to choose between power and Alex, his daughter-figure in Alt. 2004. We know what he chose on the Island when he was presented with those two choices before, but this time, just as we saw in 2007 tonight, he chooses (for him at least) the road less traveled. He chooses Jacob's side on the Island, and chooses to protect Alex from the complications of his own underhanded, dastardly plot in his off-Island life. There is so much more to this part of the story, and I'm looking forward to getting into all of it.
  • Alex - of course Ben is her father figure! You know, with her mom working two jobs just to get by... Her name is Alexandra Rousseau, so there must be a Danielle waiting for her at home! I wonder what her jobs are? I wonder if we'll see her again? (Apparently Mira Furlan, the actress who play Danielle, tired of doing the show and missed her family in Eastern Europe - I think they lived in a rough part of the world and were finally able to escape it, and she wanted to return there to be with them, so who knows if she'll return to LOST.)
  • Arzt as Ben's all-too-willing lackey? Classic. I don't know why it didn't occur to me that Arzt would show up at Ben's school. After all, he was a high school teacher on the Island, so it was an obvious connection for the writer's to make. And as Toniann pointed out to me earlier tonight, he appeared in an episode that featured the Black Rock, where he met his explosive demise on the Island, prompting one of the most famous quotes in LOST history: Hurley's "Dude? You got some Arzt on you."
  • Do teachers really talk about their students that way sometimes? ............No comment.
  • The line "How different would our lives be?" came up at least twice that I noticed. Once when Ben's father said it, and I think Ben said it either to his class or to Alex during their study session in the library.
  • When I saw the principal, my literal first thought was Bill Murray saying, "Yes, it's true. This man has no dick." (Be the first to name the movie in the comments section!) But apparently on this show he does (zing!), and he has a thing for school nurses.
  • Roger Linus talks about the Dharma Initiative! We knew it existed, since we saw the remnants of New Otherton on the bottom of the ocean, but now we have confirmation that at least the Linus's were there. But Ben didn't kill his father in the Purge, and chances are there never was a Purge in this timeline. So how did they get off the Island? And why? And when? This could also mean that Ethan lived on the Island, too.
  • Hurley asks Richard if he is a cyborg. And then if he is a vampire. Richard says no to both, so you can now officially cross them off the list in your "What Is Richard Alpert's Deal?" pool.
  • Richard is trying to kill himself because his whole life was a waste? As Ben tells Alex about potentially failing a history test, "That seems a little dramatic." I felt like that was out of left field. I understand his logic, but still, something doesn't compute for me. But that scene with Jack's dynamite fuse was fantastic. He reveals that he can't kill himself due to being not blessed, but cursed, by Jacob's touch. I knew Jack wasn't going to be killed off, and I guessed that Richard would snuff out the fuse just before it reached the dynamite stick to save Jack, but I love that they went with the "the Island has its reasons" result of the fuse going out by itself. This scene seemed to get lost (heh heh) in the shuffle of everything else in the episode, but I thought it was potentially a major one: Jack has faith. He's buying what Jacob is selling, even if it's something unbelieveable. He finally has faith, but he is still disguising it as reason: he says things like 'there must be a reason that Jacob showed him the lighthouse reflection. It stands to reason that if Jacob wanted me on the Island, there's no way I'm going to die.' And he's right. His faith was rewarded. He tells Richard that what they need to do is go back to the beginning, and that's just what they do - back to the beach.
  • Seeing the beach camp again, like Ben says, really was nostalgic. Things feel so far removed from those days of the beach camp, where the worst thing you had to worry about was being called a mean name by Sawyer. After he steals your nudie magazines.
  • It's interesting when the Monster visits Ben in the Losties cemetary (fans call it Boone Hill) as he is shoulder-deep in his own grave. It was a complete role-reversal from the scene in Season 4 (I think) when Ben shoots Locke who is the one standing in the Dharma mass grave. The Monster tells Ben that he could be in control of the Island when he and his recruits leave, (Is anyone besides Ben falling for this?) and naturally, Ben is very much enticed. But then he talks with Ilana in the jungle, and the rest is history. Again, it's the same situation that Ben faces in Alt. 2004: having the opportunity to take power, but at what cost?
  • The Monster is taking the recruits to Hydra Island.
  • We ended with two classic LOST motifs. The first, which I don't think we've seen in a very long time, is the slo-mo, beautiful Michael Giacchino score, montage scene, when our Jacobite Losties are united on the beach, and which ended with a character that has sinned amongst the other Losties and now knows that they have to make amends. The second motif is the cliffhanger ending. Who's coming to the Island? On the count of three: one, two....Widmore! He is the someone who Jacob told Hurley was coming to the Island. See? Who needs an ancient lighthouse when you have a periscope? What are your thoughts on what he's up to?
That's all from me tonight this morning. What do you think of all this? Was there anything that you noticed that I didn't? (Yes, no doubt.) Please share your ideas in the comments section below.

Until next time,

Good Luck & Namaste!

~ Matt   

Wednesday, March 3, 2010

"Tipped the Wrong Way" - 6x06: Sundown

So I don't often use foul language on this blog, but my friends, in this case, I'm afraid I must: that was some dark, dark shit. "Sundown," indeed. (And Sun was only in it for a few seconds - what gives?)

Tonight's episode had me entranced in all the evil goings-on, much like Sayid after meeting the dev... I mean, the Monster. But boy, are they ever setting up Mr. "Evil Incarnate" to be the one and only. It freaked me out, it had me on the edge of my seat, it had me yelling, "Don't be stupid, Sayid - just shoot him!" and "No, not Dogen! But he is (was) so cool!" at the TV; I loved it. So much happened. Major stuff. That's what really impressed me about this one.

I'm just going to share a few comments tonight because the only thing keeping me conscious right now is the excitement from tonight's episode, "Sundown," and even that is trickling out of me like goodness from Sayid. So, here we go...

This was a unique episode for Season 6 so far in that it truly focused on only one character: Sayid. We got a little sprinkling of the Monster, of Claire, and of Dogen, but both on and off the Island, this was Sayid's story. Sayid brings flowers to Nadia in Alt. 2004, but - ah, tricked ya! - she's married to his brother, Omar. You know, the guy that can't kill chickens. That scene from last season actually had some bearing on Alt. Sayid's story tonight; Omar is asking Sayid to do his dirty work for him again, except at first, he refuses. "I'm not that person anymore." (Every time he thinks he out, they keep pulling him back in...) It's just like what Ben did to him in his Oceanic 6 days. And we really want to believe that he is truly done with being a murderer, we so want to believe that finally, he is on the path to redemption... but we soon find out that it's not to be, even in this alternate timeline. (I have a theory that is slightly related to this about what the eff this show is all about - read on and see what you think.) The loan sharks that are after Omar for more money that he doesn't have apparently put him in the hospital in a (again, apparently) staged mugging outside his store. Nadia, the only positive influence in Sayid's life, the only one who can turn him from his past, and his only reason for wanting to be a good person, convinces him to go to her house to watch her children. He does, but the sharks circle and pick him up outside the house the next day and take him to the kitchen of a restaurant. (The Inn at Newtown? Nah. Sorry, inside joke...) Why a kitchen? Well, because back in Season 1 or 2 (or maybe even 3?), Sayid is kidnapped by a man whose wife was tortured by Sayid and is tied up in...the kitchen of a restaurant. 
And since we're talking about connections, who's the loan shark? None other than Martin Keamy, winner of the "Most Surprising/Random Cameo in LOST History" Award! Well, it's not that random - he and Sayid do have some history. Keamy even comes complete with his toady on the Island, who if memory serves, is strangely also named Omar. Anywho, Keamy and his huge, gleaming teeth continues the longest-running Christopher Walken impression ever and tries to intimidate Sayid, all while making eggs. By the way, if you have any idea what the eggs are all about, please comment at the bottom of this post. But Sayid ain't having any of that shit and goes all Special Forces on Keamy's henchmen. When he has Keamy at gunpoint, Keamy tells him to calm down and that he'll cancel his brother's debt, and to forget about it. Sayid says, "I can't," and blasts him in the chest, killing him. Then, as there are no more sounds of eggs frying or guns blazing, he hears a banging in the kitchen. He goes to a freezer and finds Jin! He is all tied up and looks like he's gotten a once-over from Keamy. So was Keamy the one Jin was delivering the watch to? Is Keamy working for a much larger, more important villian?

So we saw Sayid return to the darkness that he has been infected with his whole life. This, of course, is mirrored in the Sayid on the Island, just in a more literal way. He chanrges into Dogen's office demanding answers, and after Dogen explains the test he performed on him - the machine tests the balance of good and evil in a person, and Sayid was "tipped the wrong way" - they get into an intense, knock-down, drag-out that ends with Dogen about to put a knife to Sayid's throat, but the falling of his baseball stops him from doing so. He tells Sayid to  leave, and he is about to...until Claire walks into the Temple.
Claire says that "he" wants to talk to Dogen. Since "he" can't come into the Temple, she says that Dogen needs to come to "him," but Dogen is no dummy - he knows that if he goes, "he" will kill him. Claire, being quite the smarty in her new dark form, suggests that he send someone who "he" won't want to kill. Hmmm, who could that be?
Dogen sends Sayid away, but with a somewhat elaborate knife that he wants Sayid to use to stab the Monster in the chest. Sayid attempts this when the Monster appears to him in the jungle (after Sayid meets Kate, who I was starting to think was going to accidently bump into every Lostie on the Island). He has no luck, other than to get the Monster to calmly remove the knife from his chest and say, "Now what did you have to go and do that for?" And how ironic that "Locke" gets stabbed with a knife, no?
Now here's where the Monster plays the Satan role perfectly. He is the ultimate deceiver, the ultimate provider of false hope and empty promises, the ultimate manipulator; he tells Sayid that he can get him anything he wants in the entire world, even the one thing that he wants - the woman that died in his arms.
When Sayid returns, he and Dogen have a discussion about promises that were made to them, because it turns out that someone made a promise to Dogen, too: Jacob. Jacob promised him that if he came to the Island, his son who was killed (or just badly injured?) at the hands of a drunk-driving Dogen would be saved and live again. It came with a price, though - Dogen could never see his son again. In this story, Dogen finally tells Sayid, and us viewers, what's up with the baseball. In an emotional scene, he tells the story of the accident and how it happened when Dogen was driving his son home from a baseball game. The ball is a reminder of that fatal decision that sent him to the Island. It seems that his guilt over killing his son has made him want to never kill again, which is why he stopped himself from slitting Sayid's throat when he saw the baseball fall. (This is also probably why he makes others do his killing for him, which is a total cop-out.)  
Too bad this emotional scene, which seemed to be setting up for an alliance between the two men, ends with Sayid drowning Dogen in the dirty pool, which is dirty pool in my book. Lennon, before Sayid offs him, too, panics, telling Sayid that Dogen was the only thing keeping the Monster out of the Temple. Sayid, in a great parallel to Ben, simply says, "I know." To paraphrase Darth Vader, the darkness in him is now complete.

That was the main thrust of the episode. That, and the total insanity that went on when the Monster entered the Temple. I'll get to that in a moment.


The Monster can't cross the ash line, but his minions can. He makes Claire enter the Temple with the promise that she will get Aaron back. He tells her that he never goes back on his promises, but again, who in history/literature is famous for saying things like this? But once Dogen is killed, he goes hog wild. So was it that Dogen was the last leader? Was he the new Jacob once Jacob was killed? Is this why Jacob is recruiting - did he somehow know that once the Monster had infected people on the Island, the Others in the Temple were doomed? Is this what makes a candidate a subsitute - the ability to withstand infection by the Monster? In that case, my pick would be Hurley, the most innocent of them all, but we seem to be getting set up for Jack to be the one. Jack, the miracle worker. He who walks among us, but is not one of us.


Miles tells Sayid that the Others didn't bring him back to life. He says that Sayid was dead for two hours; "it wasn't them that brought you back..." So it apparently was the dirty water, no?


Sayid walks by Jack in the hospital.


When Kate returns to the Temple, Miles says, "welcome back to the circus."

Speaking of Kate returning, she is finally reunited with Claire. Well, sort of, if you want to call her Claire. Kate, in her two minutes with her by the pit, seems to be confused, but doesn't catch on to the madness of Claire. Not until the final scene, and maybe not even then, either. First of all, the rendition of "Catch a Falling Star" that played (or was Claire singing it?) as Claire and the Monster, with Kate following behind, survey the damage was haunting. I think it had the desired effect to creep everyone out. But what is Kate thinking here? At first, as she picks up the gun, I thought that she has now also been infected, which I would find really shocking. I think she is going to be a wild card, and this is why she is not one of the key numbers. I don't know what to make of her, though. My guess is that she is just trying to figure out what the hell is going on. I don't think she is infected or on the Monster's side.
I think this is also confirmed with the Monster's apparent lack of interest in her. Again, as many fans have pointed out, she is #51 - a candidate, maybe, but not one of the main numbers. So does the Monster not realize that she's a candidate, especially since she is not on the inside of the cave (providing further proof that the cave is actually the Monster's cave, and the Lighthouse is Jacob's domain)? Is he ignoring her because he's been led to believe that she can't be a successor to Jacob? As I said, she might be Jacob's wild card - Jacob knows she is important, but he has managed to hide this fact from the Monster. And so the Monster, Claire, and the other candidates (where's Sawyer, by the way?) walk away from the Temple with no concern for the fate of Kate.


Claire is truly, truly frightening. Emilie de Ravin is playing her perfectly, I think - a great balance of the old Claire with the darkness that has taken her over. The looks with those icy blue eyes, the creepy smiles, the nutty singing of "Catch a Falling Star" in the pit, it's all pretty chilling.


So the Monster has finally entered the Temple. He has taken down Jacob's stronghold...with the exception of the secret room which Ilana leads Sun, Lapidus, and Ben (I think...?) into. What is their next move? What is the Monster's next move?


What do you all everybody think about this episode? Let us know in the comments below!



~~~~


I want to leave you with a theory tonight. I had this theory a long time ago, at least two seasons or so back, and I'm not sure what made me drop it back then (and this is not a "Hey everyone, I figured out the end of LOST!" comment, I swear - I'm sure I'm wrong, but I'm trying to think what back then had me thinking about this, and I can't put my finger on it). But it came back to me tonight once Sayid's brother was taken to the hospital, and I think it makes a lot more sense now. I also doubt I'm the only one to think of it. It goes a little something like this: 
For our Losties, being on the Island is a moment in each of their lives - the moment that Flight 815 hit turbulence. It always landed. But in that moment, a "lost" moment, a most pivotal one in their lives, they were taken out of their lives and put on the 815 that crashed. They lived on the Island. They went through all of the things we've seen, and are currently seeing, them experience. This new "alternate" timeline is not alternate at all, just as Damon and Carlton keep insisting; we are seeing what happens to them after that moment has passed. What happened to them in that moment, though has changed their lives from what they were before the moment to what they are now. The present changed the past which changed the future. Somehow. What we are seeing now is the result of the choices they made in that moment. Case in point: Sayid. He is infected on the Island just as he is in life
This is not a perfect theory. What's Desmond's deal? If the Island is basically a figment of their imaginations, or some sort of pit stop on the road of reality, why does the Island actually exist on the bottom of the ocean floor? I dunno. How would their moment on the Island change their past? Maybe it's like a compass needle: as the tip of it rotates on that central axis (like an Island is a fixed point in the ocean), so does the other end that balances it. The tip is the future, the axis the present, and the opposite end is the past. Is this making any sense? Probably not. But there's something about it that makes sense to me. 


It's been great to get comments in the past few posts, and it would be even greater to get a few more! Any questions or comments are welcome.

Until next time,


Good Luck & Namaste,


~ Matt